Top tracks — play these first
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Big Bad Bill Is Sweet William Now — This track transforms a classic tune into a playful narrative, showcasing Cooder's ability to reinterpret familiar songs with fresh energy.
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Davenport Blues — An instrumental piece that highlights Cooder's masterful slide guitar technique, embodying the essence of American blues with an emotive yet restrained delivery.
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Face to Face That I Shall Meet Him — This track weaves a gospel-like narrative, blending spiritual themes with Cooder's soulful guitar lines, effectively marrying musical storytelling with rich melodies.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Cooder's blend of genres showcases strong musicianship but lacks the depth for lasting impact.
What we noticed
- Several tracks incorporate traditional jazz elements, such as syncopated rhythms and improvisational sections.
- The sequencing alternates between slower ballads and more upbeat numbers, creating a dynamic flow throughout the record.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady, consistent energy levels
- long, immersive listening sessions
- layered, dense sonic textures
- contemplative reflective moods
Where this album fits
- Career context
- Released in 1978, Jazz marked Ry Cooder's artistic exploration into the roots of American music after his acclaimed film soundtracks. This album followed his successful projects like 'Chavez Ravine' and showcased his ability to blend genres while paying homage to jazz traditions.
- Stylistic neighbors
- Leonard Cohen· John Prine· David Lindley
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Big Bad Bill Is Sweet William Now 3:34
- 2 Face to Face That I Shall Meet Him 3:16
- 3 The Pearls / Tia Juana 4:18
- 4 The Dream 5:03
- 5 Happy Meeting in Glory 3:13
- 6 In a Mist 2:05
- 7 Flashes 2:17
- 8 Davenport Blues 2:01
- 9 Shine 3:43
- 10 Nobody 5:07
- 11 We Shall Be Happy 3:13
Reference: Wikipedia · MusicBrainz · Wikidata
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