Jesus Christ the Exorcist
Neal Morse · 2019
110 min · 25 tracks · progressive rock
A sweeping progressive rock opera that blends intricate instrumentation with poignant storytelling focused on the life of Christ.
Top tracks — play these first
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Overture Start here — establishes the sonic palette early
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Gather the People — This track embodies the central theme of community and gathering around faith, featuring soaring melodies and rich harmonies that invite listener participation.
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Jesus’ Temptation — With its lengthy structure and dynamic shifts, this track effectively captures the internal struggle of Jesus, illustrating Morse's knack for dramatic storytelling through music.
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The Last Supper — This poignant piece conveys deep emotional weight through its narrative and musical arrangement, serving as a pivotal moment in the album’s exploration of sacrifice and fellowship.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's ambitious storytelling and intricate arrangements create a compelling progressive rock experience.
What we noticed
- The album features a continuous narrative structure, with tracks flowing seamlessly into one another to maintain thematic coherence.
- Instrumentation varies widely, incorporating orchestral elements alongside traditional rock instruments, creating dynamic shifts in mood and intensity.
- Several tracks exceed six minutes, allowing for extended instrumental passages and complex arrangements that showcase the musicianship involved.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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9/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic narrative storytelling experience
- emotional peaks and valleys
- engaging two-part listening journey
- reflective moments for deep thought
- spiritual themes with dramatic arcs
Maybe skip if you
- prefer standalone tracks only
- seek instant gratification
Where this album fits
- In the catalog
- Critical Peak — Ambitious storytelling and intricate arrangements mark a high point in Morse's artistic output.
- Themes
- Gethsemane's anguish· redemption narratives· Jerusalem's significance
- Career context
- Released on June 14, 2019, 'Jesus Christ the Exorcist' is Neal Morse's first album as a solo artist in three years, following his work with the band Transatlantic. This album marks a continuation of Morse's exploration of biblical themes, showcasing his ability to weave complex narratives into music, a hallmark of his career since his early days with Spock's Beard.
- Stylistic neighbors
- Transatlantic· Spock's Beard· The Flower Kings
Tracklist
Disc 1
- 1 Introduction 2:31
- 2 Overture Start here 3:19
- 3 Getaway 2:41
- 4 Gather the People 5:17
- 5 Jesus’ Baptism 3:09
- 6 Jesus’ Temptation 10:18
- 7 There’s a Highway 4:06
- 8 The Woman of Seven Devils 5:41
- 9 Free at Last 5:08
- 10 The Madman of the Gadarenes 7:04
- 11 Love Has Called My Name 4:14
- 12 Better Weather 1:42
- 13 The Keys to the Kingdom 4:48
- 14 Get Behind Me Satan 3:23
Disc 2
- 1 He Must Go to the Cross 3:11
- 2 Jerusalem 3:55
- 3 Hearts Full of Holes 3:40
- 4 The Last Supper 3:50
- 5 Gethsemane 7:40
- 6 Jesus Before the Council and Peter’s Denial 3:14
- 7 Judas’ Death 3:36
- 8 Jesus Before Pilate and the Crucifixion 8:19
- 9 Mary at the Tomb 2:45
- 10 The Greatest Love of All 5:00
- 11 Love Has Called My Name (reprise) 1:30
If this landed
Records by other artists that run on the same instinct.
Bridge Across Forever
Transatlantic
Both share grandiose progressive structures and intertwine personal and spiritual narratives.
The Divine Wings of Tragedy
Symphony X
Explores deep thematic storytelling with a mix of symphonic elements and progressive rock complexity.
Stardust We Are
The Flower Kings
Combines lush melodies and lyrical depth, reflecting on existential themes with a rich sonic palette.
Reference: Wikipedia · MusicBrainz · Wikidata
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