Jesus Christ the Exorcist cover

Jesus Christ the Exorcist

Neal Morse · 2019

110 min · 25 tracks · progressive rock

A sweeping progressive rock opera that blends intricate instrumentation with poignant storytelling focused on the life of Christ.

Top tracks — play these first

  • →
    Overture Start here — establishes the sonic palette early
  • →
    Gather the People — This track embodies the central theme of community and gathering around faith, featuring soaring melodies and rich harmonies that invite listener participation.
  • →
    Jesus’ Temptation — With its lengthy structure and dynamic shifts, this track effectively captures the internal struggle of Jesus, illustrating Morse's knack for dramatic storytelling through music.
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    The Last Supper — This poignant piece conveys deep emotional weight through its narrative and musical arrangement, serving as a pivotal moment in the album’s exploration of sacrifice and fellowship.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

68 /100
Alpine
Higher than 93% of albums we've rated

The album's ambitious storytelling and intricate arrangements create a compelling progressive rock experience.

What we noticed

  • The album features a continuous narrative structure, with tracks flowing seamlessly into one another to maintain thematic coherence.
  • Instrumentation varies widely, incorporating orchestral elements alongside traditional rock instruments, creating dynamic shifts in mood and intensity.
  • Several tracks exceed six minutes, allowing for extended instrumental passages and complex arrangements that showcase the musicianship involved.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
9/10

running order, pacing, length

Influence 3/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • dynamic narrative storytelling experience
  • emotional peaks and valleys
  • engaging two-part listening journey
  • reflective moments for deep thought
  • spiritual themes with dramatic arcs

Maybe skip if you

  • prefer standalone tracks only
  • seek instant gratification

Where this album fits

In the catalog
Critical Peak — Ambitious storytelling and intricate arrangements mark a high point in Morse's artistic output.
Themes
Gethsemane's anguish· redemption narratives· Jerusalem's significance
Career context
Released on June 14, 2019, 'Jesus Christ the Exorcist' is Neal Morse's first album as a solo artist in three years, following his work with the band Transatlantic. This album marks a continuation of Morse's exploration of biblical themes, showcasing his ability to weave complex narratives into music, a hallmark of his career since his early days with Spock's Beard.
Stylistic neighbors
Transatlantic· Spock's Beard· The Flower Kings

Tracklist

Disc 1

  • 1 Introduction 2:31
  • 2 Overture Start here 3:19
  • 3 Getaway 2:41
  • 4 Gather the People 5:17
  • 5 Jesus’ Baptism 3:09
  • 6 Jesus’ Temptation 10:18
  • 7 There’s a Highway 4:06
  • 8 The Woman of Seven Devils 5:41
  • 9 Free at Last 5:08
  • 10 The Madman of the Gadarenes 7:04
  • 11 Love Has Called My Name 4:14
  • 12 Better Weather 1:42
  • 13 The Keys to the Kingdom 4:48
  • 14 Get Behind Me Satan 3:23

Disc 2

  • 1 He Must Go to the Cross 3:11
  • 2 Jerusalem 3:55
  • 3 Hearts Full of Holes 3:40
  • 4 The Last Supper 3:50
  • 5 Gethsemane 7:40
  • 6 Jesus Before the Council and Peter’s Denial 3:14
  • 7 Judas’ Death 3:36
  • 8 Jesus Before Pilate and the Crucifixion 8:19
  • 9 Mary at the Tomb 2:45
  • 10 The Greatest Love of All 5:00
  • 11 Love Has Called My Name (reprise) 1:30

Reference: Wikipedia · MusicBrainz · Wikidata