Jihad cover

Jihad

Bill Laswell · 1994

46 min · 2 tracks · jazz

An immersive journey through expansive soundscapes blending dub rhythms and jazz improvisation, creating an otherworldly atmosphere.

Top tracks — play these first

  • →
    Port of Entry (The Future Is With Control) — This track serves as a sprawling introduction to the album, merging hypnotic bass lines with intricate layers of sound that establish its thematic depth.
  • →
    Intersection Point Between Empty Deserts and Written Deserts — A meditative piece that explores contrasting sonic textures, it exemplifies Laswell's ability to create tension through silence and space within music.

Where this album fits

In the catalog
Experimental — The album features a deliberate departure into avant-garde soundscapes, challenging genre norms.
Themes
desert landscapes· sonic manipulation· avant-garde fusion
Career context
At the time of the album's release in 1994, Bill Laswell was already established as a prominent figure in the avant-garde music scene, known for his innovative fusion of genres. 'Jihad' followed his previous works like 'Axiom' (1992) and showcased his continued exploration of sound manipulation and collaborative production techniques.
Stylistic neighbors
Tackhead· Herbie Hancock· Thievery Corporation

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Port of Entry (The Future Is With Control) 23:45
  • 2 Intersection Point Between Empty Deserts and Written Deserts 23:03

Reference: Wikipedia · MusicBrainz · Wikidata