Jihad
Bill Laswell · 1994
46 min · 2 tracks · jazz
An immersive journey through expansive soundscapes blending dub rhythms and jazz improvisation, creating an otherworldly atmosphere.
Top tracks — play these first
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Port of Entry (The Future Is With Control) — This track serves as a sprawling introduction to the album, merging hypnotic bass lines with intricate layers of sound that establish its thematic depth.
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Intersection Point Between Empty Deserts and Written Deserts — A meditative piece that explores contrasting sonic textures, it exemplifies Laswell's ability to create tension through silence and space within music.
Where this album fits
- In the catalog
- Experimental — The album features a deliberate departure into avant-garde soundscapes, challenging genre norms.
- Themes
- desert landscapes· sonic manipulation· avant-garde fusion
- Career context
- At the time of the album's release in 1994, Bill Laswell was already established as a prominent figure in the avant-garde music scene, known for his innovative fusion of genres. 'Jihad' followed his previous works like 'Axiom' (1992) and showcased his continued exploration of sound manipulation and collaborative production techniques.
- Stylistic neighbors
- Tackhead· Herbie Hancock· Thievery Corporation
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Port of Entry (The Future Is With Control) 23:45
- 2 Intersection Point Between Empty Deserts and Written Deserts 23:03
If this landed
Records by other artists that run on the same instinct.
Millions Now Living Will Never Die
Tortoise
Shares the same experimental fusion of dub rhythms with expansive, immersive soundscapes.
Future Shock
Herbie Hancock
Combines jazz improvisation and electronic elements, creating an avant-garde sonic journey.
The Mirror Conspiracy
Thievery Corporation
Blends dub and downtempo with rich atmospheric textures, resonating with Laswell's sound manipulation.
Reference: Wikipedia · MusicBrainz · Wikidata
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