Kharma
43 min · 5 tracks · jazz
A vibrant blend of soul jazz and bebop, weaving intricate melodies through rich harmonies and dynamic rhythms.
Top tracks — play these first
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Suite for Martin Luther King, Part 1: Offering — This track opens with a soulful organ intro that sets a reflective tone, leading into powerful improvisation that pays tribute to King's legacy.
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Suite for Martin Luther King, Part 2: Mode for Martin — Continuing the tribute, this piece features complex rhythms and harmonies that evoke a sense of hope and resilience, capturing the spirit of the civil rights movement.
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Kharma — The title track encapsulates Earland's fusion of jazz and funk, showcasing his virtuosic organ playing while maintaining a groove that invites listeners to engage deeply.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalKharma blends soul jazz and bebop with ambitious compositions, showcasing Earland's unique style and thematic depth.
What we noticed
- The album features extended compositions, with each track averaging over six minutes, allowing for intricate improvisation.
- The final track incorporates a gradual build-up, layering instruments to create a climactic finish.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- intricate melodies that invite exploration
- dynamic rhythms for active listening
- reflective moments of soulful depth
- immersive experience with rich harmonies
Maybe skip if you
- seeking instant gratification
- prefer short, standalone tracks
Where this album fits
- Career context
- Released in 1971, Kharma marked Charles Earland's emergence as a prominent figure in the jazz scene following his stint with the legendary organist Jimmy Smith. This album showcased Earland's distinctive style, incorporating elements of funk and spiritual jazz, solidifying his reputation as an innovative artist during a time of significant evolution in jazz.
- Stylistic neighbors
- Jimmy Smith· Larry Young· Booker T. Jones
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Joe Brown 8:38
- 2 Morgan 13:05
- 3 Suite for Martin Luther King, Part 1: Offering 8:40
- 4 Suite for Martin Luther King, Part 2: Mode for Martin 7:59
- 5 Kharma 5:04
Reference: Wikipedia · MusicBrainz · Wikidata
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