What makes Labyrinthitis by Destroyer notable?

This album received significant critical acclaim, landing on numerous year-end lists and showcasing Destroyer's unique sound within the pop rock genre. It also marked a notable moment for Bejar as he continued to push boundaries, attracting attention from both long-time fans and new listeners alike. Labyrinthitis is Destroyer's thirteenth studio album, released during a phase where Dan Bejar was exploring more polished production techniques following the critically acclaimed Ken (2017). By this point, Destroyer had solidified its reputation as an innovative force in indie pop, with Bejar's distinctive lyrical style continuing to evolve and resonate with audiences.

Who is Labyrinthitis for?

Labyrinthitis works well if you're into reflective moments of introspection, dynamic peaks and valleys and intimate listening with headphones.

How many songs are on Labyrinthitis?

Labyrinthitis has 10 tracks, running approximately 43 minutes.

Labyrinthitis

Destroyer · 2022

43 min · 10 tracks · pop rock

A kaleidoscopic blend of introspective lyrics and lush instrumentation that navigates the complexities of modern life.

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Top tracks — play these first

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It’s in Your Heart Now — The opening track sets a reflective tone with its expansive musical landscape, encapsulating themes of emotional introspection that permeate the album.
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Suffer — This song stands out for its stark, honest lyrics paired with a driving beat, illustrating the tension between vulnerability and resilience.
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Labyrinthitis — The title track embodies the album's exploration of confusion and disorientation, featuring intricate arrangements that mirror its thematic depth.
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All My Pretty Dresses — This track showcases Bejar's lyrical prowess through vivid imagery and narrative depth, making it a highlight of the album’s storytelling.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

64 /100

Treeline

Higher than 79% of albums we've rated

The album blends polished production with introspective lyrics, creating a distinctive yet cohesive listening experience.

What we noticed

The album opens with a track that features layered synths and a steady beat, establishing a lush soundscape that persists throughout.
Several tracks incorporate unexpected shifts in tempo and dynamics, such as 'Eat the Wine, Drink the Bread', which transitions from a soft verse to a more energetic chorus.
The lyrics often employ abstract imagery and introspective themes, requiring listeners to engage deeply with the content rather than passively enjoy the music.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 7/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

reflective moments of introspection
dynamic peaks and valleys
intimate listening with headphones
engaging narrative through progression

Maybe skip if you

seeking straightforward, quick hits
prefer upbeat, constant energy

Where this album fits

Career context: Labyrinthitis is Destroyer's thirteenth studio album, released during a phase where Dan Bejar was exploring more polished production techniques following the critically acclaimed Ken (2017). By this point, Destroyer had solidified its reputation as an innovative force in indie pop, with Bejar's distinctive lyrical style continuing to evolve and resonate with audiences.
Stylistic neighbors: The New Pornographers· Spoon· Wolf Parade