Top tracks — play these first
-
→
Me deixa — This track showcases the band's signature blend of reggae rhythms and rock influences, encapsulating themes of love and freedom with an infectious energy.
-
→
Homem amarelo — With its poignant lyrics addressing racial identity and societal struggles, this song stands out as a critical reflection on contemporary Brazilian life.
-
→
Minha alma (A paz que eu não quero) — This deeply introspective track combines haunting melodies with weighty lyrics about personal and collective conflict, representing a high point in the album's emotional depth.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album combines reggae and Brazilian rhythms with socially conscious lyrics, making it distinctive and impactful.
What we noticed
- The album opens with a strong rhythmic pulse in 'Tribunal de rua', establishing a consistent reggae groove that persists through most tracks.
- Several songs feature call-and-response vocal patterns, enhancing the communal feel and engaging listeners directly.
- The instrumentation blends electric guitars with traditional Brazilian percussion, creating a layered sound that shifts between rock and reggae influences.
- Lyrically, the album addresses social issues, with tracks like 'Homem amarelo' and 'Favela' incorporating vivid imagery and storytelling.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
8/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic progression with emotional peaks
- poignant storytelling for reflective moments
- vibrant rhythms for social gatherings
- wave-like pacing for immersive listening
Maybe skip if you
- prefer instant gratification tracks
- seek straightforward single experiences
Where this album fits
- Career context
- Released in 1999, Lado B Lado A is O Rappa's third studio album, coming after their successful self-titled debut in 1994 and the critically acclaimed O Rappa in 1996. At this point, the band was solidifying their position as a prominent voice in Brazilian music, blending genres while addressing pressing social issues.
- Stylistic neighbors
- Natiruts· Skank· Pato Banton
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Tribunal de rua 4:21
- 2 Me deixa 4:08
- 3 Cristo e Oxalá 4:26
- 4 O que sobrou do céu 3:53
- 5 Se não avisar o bicho pega 5:15
- 6 Minha alma (A paz que eu não quero) 5:04
- 7 LadoB LadoA 5:05
- 8 Favela 3:21
- 9 Homem amarelo 4:17
- 10 Nó de fumaça 3:45
- 11 A todas as comunidades do Engenho Novo 6:18
- 12 Na palma da mão 7:04
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.