What makes Last of the Hipmen by David Murray notable?

Last of the Hipmen received critical acclaim for its innovative approach to jazz composition and improvisation, showcasing Murray's ability to bridge different musical traditions. The album is significant within the modern jazz scene as it reflects the growing trend of incorporating world music elements into jazz, influencing subsequent artists and styles. Released in 1989, Last of the Hipmen marks David Murray's continued exploration of avant-garde jazz after his breakthrough with the 1986 album, Ming. At this point in his career, Murray had established himself as a prominent figure in the jazz world, known for blending traditional influences with progressive techniques.

How many songs are on Last of the Hipmen?

Last of the Hipmen has 3 tracks, running approximately 45 minutes.

Last of the Hipmen

David Murray

45 min · 3 tracks · jazz

A vibrant tapestry of improvisational jazz that intertwines complex rhythms and soulful melodies, evoking a deep sense of cultural heritage.

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Top tracks — play these first

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Monk’s Notice — This nearly 22-minute track serves as a tribute to Thelonious Monk, featuring intricate solos that highlight Murray's virtuosic skills and deep understanding of jazz history.
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Patricia — A poignant piece characterized by its haunting melody and emotive saxophone lines, 'Patricia' showcases Murray's ability to evoke strong emotions through minimalism and space.
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Last of the Hipman — The title track blends rhythmic complexity with lyrical improvisation, encapsulating the essence of Murray's artistic vision and reinforcing his role as a leading innovator in contemporary jazz.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

64 /100

Treeline

Higher than 79% of albums we've rated

The album showcases strong improvisation and cohesion, with distinct melodies and rhythms that reflect Murray's jazz expertise.

What we noticed

The album consists of three lengthy tracks, each featuring extended improvisational sections that allow for intricate interplay between instruments.
Murray's saxophone leads the melodies while the rhythm section employs complex polyrhythms, creating a dynamic and evolving soundscape.
Each track transitions smoothly into the next, maintaining a cohesive flow despite the varied tempos and moods throughout.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 7/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Where this album fits

In the catalog: Critical Peak — Showcases innovative jazz composition, marking a high point in Murray's avant-garde exploration.
Career context: Released in 1989, Last of the Hipmen marks David Murray's continued exploration of avant-garde jazz after his breakthrough with the 1986 album, Ming. At this point in his career, Murray had established himself as a prominent figure in the jazz world, known for blending traditional influences with progressive techniques.
Stylistic neighbors: Henry Threadgill· Ornette Coleman· Charles Lloyd