What makes Let Go by John Fahey notable?

Let Go received significant acclaim for its innovative approach to acoustic guitar music, contributing to Fahey's reputation as a pioneering figure in American primitive guitar. The album is often noted for its unique arrangements and has influenced subsequent generations of musicians exploring acoustic styles. Critics have highlighted its experimental nature, leading to increased recognition within the avant-garde and folk music communities. Released in 1984, Let Go marked John Fahey's return to recording after a period of relative silence in the late 1970s and early 1980s. This album followed his notable work, The Voice of the Turtle, and showcased his ability to blend traditional American folk elements with personal expression. At this stage, Fahey was re-establishing himself in the acoustic music scene, which had shifted significantly since his earlier career.

Let Go works well if you're into reflective afternoon introspection, intricate guitar details to savor and patient melodies inviting contemplation.

How many songs are on Let Go?

Let Go has 10 tracks, running approximately 43 minutes.

Let Go

John Fahey · 1984

43 min · 10 tracks · blues

An intricate blend of blues-infused fingerstyle guitar that evokes a sense of nostalgia and introspection.

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Top tracks — play these first

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Let Go — The title track introduces the album's reflective tone with its intricate fingerpicking and melodic warmth, encapsulating Fahey's signature style.
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Black Mommy — This piece showcases Fahey's ability to weave complex melodies into a narrative structure, evoking rich imagery and cultural resonance.
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Pretty Afternoon — A beautifully serene composition, it highlights Fahey's talent for creating atmospheric soundscapes that transport listeners to tranquil settings.

Is this for you?

Good fit if you like

reflective afternoon introspection
intricate guitar details to savor
patient melodies inviting contemplation
emotional depth in subtle layers

Maybe skip if you

seeking upbeat, fast-paced rhythms
prefer standalone, catchy singles

Where this album fits

Career context: Released in 1984, Let Go marked John Fahey's return to recording after a period of relative silence in the late 1970s and early 1980s. This album followed his notable work, The Voice of the Turtle, and showcased his ability to blend traditional American folk elements with personal expression. At this stage, Fahey was re-establishing himself in the acoustic music scene, which had shifted significantly since his earlier career.
Stylistic neighbors: Leo Kottke· Bert Jansch· Nick Drake