Top tracks — play these first
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Universal Soldier — This track stands out for its stark anti-war message, encapsulating the spirit of protest that characterized much of the 1960s music scene.
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Colours — The gentle melody and vivid imagery in this song exemplify Donovan's signature style, blending simplicity with profound emotional resonance.
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To Try for the Sun — This track showcases Donovan's introspective lyricism and melodic craftsmanship, reflecting his growth as a songwriter during this period.
Is this for you?
Good fit if you like
- dreamy acoustic melodies for reflection
- steady mid-tempo flow throughout
- short tracks for quick enjoyment
- introspective lyrics for deep thinking
Maybe skip if you
- prefer high-energy listening experiences
- seek lengthy, immersive albums
Where this album fits
- Career context
- By the time 'Like It Is, Was, and Evermore Shall Be' was released in January 1968, Donovan had established himself as a significant figure in the folk and psychedelic music scenes, following his breakthrough with hits like 'Catch the Wind' and 'Sunshine Superman'. This album arrived shortly after his commercial peak, showcasing his evolution as an artist embracing more complex arrangements and introspective themes.
- Stylistic neighbors
- Nick Drake· Simon & Garfunkel· Cat Stevens
Moments worth listening for
Where the writing does something specific.
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Universal Soldier
The narrator shifts to address the soldier directly, laying bare the futility of war through personal reflection on sacrifice.
This direct address breaks the narrative distance typical of earlier verses, making the soldier's experience immediate and deeply personal.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Summer Day Reflection Song 2:11
- 2 Do You Hear Me Now 1:45
- 3 Colours 2:44
- 4 Universal Soldier 2:13
- 5 Josie 3:24
- 6 Catch the Wind 2:53
- 7 Why Do You Treat Me Like You Do 2:54
- 8 To Try for the Sun 3:37
- 9 Hey Gip (Dig the Slowness) 3:05
- 10 The War Drags On 3:40
- 11 Sunny Goodge Street 2:55
Reference: Wikipedia · MusicBrainz · Wikidata
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