Live at Mills College, 1995
Marilyn Crispell · 1995
59 min · 5 tracks · jazz
An immersive exploration of free jazz, intertwining intricate piano melodies with spontaneous rhythmic dynamics.
Why this album works
This live album is significant for its documentation of Crispell's improvisational prowess in a concert setting, showcasing her ability to blend complex structures with abstract expression. The album received attention in the jazz community and solidified her reputation as an innovative pianist, influencing subsequent generations of jazz musicians focused on free and avant-garde styles.
- Best for
- immersive exploration of soundscapes steady pacing with gradual climax deep focus for attentive listening
- Context
- In 1995, Marilyn Crispell was establishing herself as a prominent figure in the avant-garde jazz scene, following her acclaimed works in the late '80s and early '90s. 'Live at Mills College, 1995' captures her evolving style during a period marked by collaborations with notable musicians like Anthony Braxton and her previous album, 'Vignettes', which had further defined her unique approach to improvisation.
- Stylistic neighbors
- Diana Ross· Madonna· Prince· Christina Aguilera· Chicago· Frank Zappa· Bob Dylan· Barbra Streisand
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Fragments Standout 16:30
- 2 Nowhere / Reflections Standout 11:32
- 3 As Our Tongues Lap Up the Burning Air / Song for Abdullah / Apart Standout 14:28
- 4 Night Moves / The Night Has 1,000 Eyes / Omberg 13:09
- 5 Drums 3:31
Reference: Wikipedia · MusicBrainz · Wikidata
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