Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Ferrat's blend of poetic lyrics and orchestral arrangements creates a distinct sound that resonates with French cultural themes.
What we noticed
- The album features a consistent use of orchestral arrangements that complement Ferrat's vocal delivery, particularly in the title track.
- Several tracks employ a call-and-response structure between Ferrat's voice and background vocals, enhancing the communal feel of the songs.
- Composition 25% of the score
-
7/10
- Craft 20% of the score
-
8/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
-
8/10
- Sequencing 12% of the score
-
7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Ma môme 1:58
- 2 Les Nomades 2:52
- 3 Deux enfants au soleil 2:36
- 4 J'entends, j'entends 3:07
- 5 Nuit et brouillard 3:15
- 6 Nous dormirons ensemble 2:22
- 7 La Montagne 3:06
- 8 C'est beau la vie 2:45
- 9 Les Belles Étrangères 2:48
- 10 Potemkine 2:54
- 11 Que serais-je sans toi 3:07
- 12 C'est toujours la première fois 2:58
- 13 Maria 3:11
- 14 C'est si peu dire que je t'aime 2:53
- 15 Cuba si 2:52
- 16 Heureux celui qui meurt d'aimer 3:01
- 17 À Santiago 2:46
- 18 Un jour futur 2:03
- 19 Ma France 3:45
- 20 Camarade 2:38
- 21 Les Lilas 2:49
- 22 La Commune 2:38
- 23 Picasso colombe 3:00
- 24 Aimer à perdre la raison 2:36
Reference: MusicBrainz · Wikidata
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