Monolith
Omid Walizadeh · 2003
60 min · 14 tracks
An eclectic blend of world music influences wrapped in intricate electronic production and evocative soundscapes.
Top tracks — play these first
-
→
Arrival/Departure — This opening track sets the tone for the album with its atmospheric soundscape and intricate layers, inviting listeners into Walizadeh's world of sound.
-
→
Live in Tokyo — Featuring live recordings, this track captures the energy of performance while blending organic and electronic elements, showcasing Walizadeh's versatility.
-
→
Sound of the Sitar — Integrating traditional sitar melodies with contemporary beats, this track exemplifies Walizadeh's ability to merge diverse cultural influences seamlessly.
-
→
Always Being Born — The track combines soothing rhythms with introspective melodies, representing a thematic exploration of life’s cyclical nature which resonates throughout the album.
Moments worth listening for
Where the writing does something specific.
-
I'm Just a Bill
A pivotal moment occurs when the narrative shifts from personal reflection to broader societal commentary on bureaucracy and legislation.
This shift not only broadens the scope of the track but also challenges listeners to think critically about governance and individual agency.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Arrival/Departure 3:57
- 2 Robert L. Ripley 5:05
- 3 Up 2:55
- 4 Live in Tokyo 6:42
- 5 Sound of the Sitar 3:27
- 6 Double Header 4:45
- 7 Research 3:09
- 8 Myth Behind the Man 4:12
- 9 Speakers Hot 3:09
- 10 I'm Just a Bill 3:26
- 11 Ripple Study 3:44
- 12 Shock and Awe 3:30
- 13 Always Being Born 5:37
- 14 Club Apotheosis 6:26
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.