Moss Side Story cover

Moss Side Story

Barry Adamson · 1989

54 min · 15 tracks · post-punk

A cinematic blend of post-punk and noir-inspired soundscapes draped in haunting melodies.

Is this for you?

Good fit if you like

  • cinematic soundscapes for immersion
  • wave-like pacing with peaks
  • haunting melodies for introspection
  • dynamic journey through moods
  • evocative themes of noir

Maybe skip if you want

  • prefer straightforward song structures
  • seek instant gratification tracks

Where this album fits

Career context
Released in January 1989, 'Moss Side Story' was Barry Adamson's debut solo album after his tenure with the influential band Magazine. This marked a significant shift for Adamson, allowing him to explore more eclectic sounds and themes outside of the post-punk genre he was initially known for. The album positioned him as a solo artist capable of weaving intricate narratives through music.
Stylistic neighbors
David Byrne· Brian Eno· Talking Heads

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 On the Wrong Side of Relaxation 5:27
  • 2 Under Wraps 4:27
  • 3 Central Control 2:16
  • 4 Round Up the Usual Suspects 0:37
  • 5 Sounds From the Big House 6:24
  • 6 Suck on the Honey of Love 2:13
  • 7 Everything Happens to Me 2:42
  • 8 The Swinging Detective 5:46
  • 9 Autodestruction 3:49
  • 10 Intensive Care 2:41
  • 11 The Most Beautiful Girl in the World 4:08
  • 12 Free at Last 1:23
  • 13 Alfred Hitchcock Presents 2:24
  • 14 Chocolate Milk Shake 4:24
  • 15 The Man With the Golden Arm 5:13

Reference: Wikipedia · MusicBrainz · Wikidata