Most of All: The Best of Deborah Harry
Debbie Harry · 1999
75 min · 18 tracks · new wave · punk · rapping
A vibrant collection of pop and rock anthems showcasing Debbie Harry's distinct voice and eclectic style.
Is this for you?
Good fit if you like
- vibrant tracks for upbeat moments
- wave-like pacing with peaks
- sing-along anthems for gatherings
- nostalgic energy for road trips
- danceable rhythms for celebration
Maybe skip if you want
- prefer slow, introspective music
- seek consistent low-energy vibes
Where this album fits
- Career context
- Released in 1999, 'Most of All: The Best of Deborah Harry' marks a retrospective celebration during a period when Harry was exploring her solo career after the decline of Blondie. This compilation follows her 1993 album 'Debravation' and encapsulates her evolution as a solo artist, bridging her punk roots with mainstream pop sensibilities.
- Stylistic neighbors
- Blondie· Siouxsie and the Banshees· The B-52's
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 I Want That Man (original version) 3:40
- 2 French Kissin’ in the USA 5:10
- 3 Brite Side 4:34
- 4 Sweet and Low (single remix edit) 4:16
- 5 Free to Fall 4:15
- 6 Well, Did You Evah! 3:28
- 7 I Can See Clearly 3:51
- 8 Strike Me Pink 4:03
- 9 Communion (7″ edit) 4:28
- 10 Backfired 4:00
- 11 In Love With Love (SAW remix) 3:20
- 12 Rush Rush 4:45
- 13 The Jam Was Moving 3:00
- 14 Feel the Spin 6:50
- 15 Maybe for Sure 4:30
- 16 Rockbird 3:09
- 17 I Want That Man (Almighty Definitive mix radio edit) 4:05
- 18 I Want That Man (D-Bop’s 11.59 vocal mix radio edit) 4:02
Reference: Wikipedia · MusicBrainz · Wikidata
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