Motherland
Arsonists Get All the Girls · 2011
38 min · 13 tracks · deathcore
A chaotic blend of technical deathcore and experimental sounds, laced with frenetic energy and complex rhythms.
Top tracks — play these first
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Rise to Fall — This opening track sets the tone with its relentless pace and intricate guitar work, encapsulating the album's energetic spirit while showcasing the band’s technical prowess.
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Dr. Teeth — With its catchy hooks and dynamic shifts, this track exemplifies the band's ability to merge melodic elements with aggressive riffs, making it a standout on the album.
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Waiting for the War to Die — At just 44 seconds long, this interlude serves as a poignant transition that heightens the album's emotional depth and showcases the band's experimentation with shorter forms.
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Tempest — As one of the longest tracks on the album, it provides an epic culmination of themes present throughout 'Motherland,' featuring complex arrangements that highlight both aggression and melody.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The record showcases intricate compositions and a blend of styles but lacks a strong cohesive flow.
What we noticed
- The album features abrupt tempo changes, with tracks often shifting from blast beats to slower, more melodic sections within the same song.
- The use of electronic elements and samples is prominent, particularly in interludes and transitions, adding an experimental layer to the overall sound.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- frenetic energy that demands attention
- short bursts of chaotic intensity
- rhythmic complexity for engaged listening
- varied track lengths for surprises
Maybe skip if you
- prefer smooth, consistent flows
- seek calming background music
Where this album fits
- Career context
- By the time 'Motherland' was released in 2011, Arsonists Get All the Girls had established themselves within the deathcore scene following their previous album, 'The Game of Life.' This record marked a significant artistic shift as it showcased a more experimental approach, including diverse influences beyond their deathcore roots, indicating their growth and willingness to push boundaries.
- Stylistic neighbors
- The Red Chord· Job for a Cowboy· Whitechapel
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Rise to Fall 3:34
- 2 Neck of the Contrast 2:13
- 3 Gooseknuckle 3:47
- 4 It Was a Memoir 1:34
- 5 Dr. Teeth 4:03
- 6 Avdotya 2:31
- 7 Waiting for the War to Die 0:44
- 8 West Cliffs 2:52
- 9 Hemlock Like This 3:03
- 10 Woebegone 3:21
- 11 Our Super Symmetry 1:27
- 12 Will Someone Please Turn Down the Ocean 3:13
- 13 Tempest 5:43
Reference: Wikipedia · MusicBrainz · Wikidata
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