What makes Negro é Lindo by Jorge Ben notable?

Negro é Lindo is celebrated for its pioneering blend of samba and rock, influencing countless artists and becoming a cornerstone of Brazilian music. The album features tracks that have been widely covered and sampled, illustrating its lasting impact on both Brazilian and international music scenes. Released in 1971, Negro é Lindo marked a significant moment in Jorge Ben's career as his fifth studio album. This record came after the success of his previous works and solidified his role in shaping the samba rock genre during Brazil's cultural renaissance in the early '70s.

Who is Negro é Lindo for?

Negro é Lindo works well if you're into steady rhythmic journey throughout, celebratory vibes for gatherings and infectious energy for dancing.

How many songs are on Negro é Lindo?

Negro é Lindo has 10 tracks, running approximately 34 minutes.

Negro é Lindo

Jorge Ben · 1971

34 min · 10 tracks · música popular brasileira

A vibrant fusion of samba, bossa nova, and rock rhythms that celebrates Afro-Brazilian identity with infectious grooves.

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Top tracks — play these first

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Cassius Marcelo Clay — This track stands out for its playful homage to the iconic boxer, showcasing Ben's ability to weave pop culture references into his music while maintaining a strong rhythmic foundation.
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Porque É Proibido Pisar na Grama — With its catchy melody and lighthearted lyrics about enjoying life’s simple pleasures, this song captures the essence of Ben's joyful sound and lyrical wit.
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Que Maravilha — This track exemplifies Ben's signature style with its uplifting vibe and intricate guitar work, making it a favorite among fans and a staple in Brazilian music playlists.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

71 /100

Alpine

Higher than 95% of albums we've rated

The album blends samba and rock with strong rhythms and engaging arrangements, marking it as a significant work in Brazilian music.

What we noticed

The album opens with a strong rhythmic pulse in 'Rita Jeep', immediately establishing a danceable groove that persists throughout.
Tracks like 'Porque É Proibido Pisar na Grama' feature call-and-response vocals, enhancing the communal feel typical of samba.
Several songs incorporate brass instrumentation, adding layers of texture and energy to the arrangements.
The final track, 'Palomaris', slows down the tempo, providing a reflective conclusion to the vibrant journey of the album.

Composition 25% of the score: 8/10
Craft 20% of the score: 7/10
Durability 25% of the score: 8/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 6/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady rhythmic journey throughout
celebratory vibes for gatherings
infectious energy for dancing
short tracks for quick enjoyment

Maybe skip if you

prefer lengthy soundscapes
avoid upbeat and lively music

Where this album fits

In the catalog: Breakthrough — This album solidified Jorge Ben's influence in Brazilian music and expanded his recognition.
Career context: Released in 1971, Negro é Lindo marked a significant moment in Jorge Ben's career as his fifth studio album. This record came after the success of his previous works and solidified his role in shaping the samba rock genre during Brazil's cultural renaissance in the early '70s.
Stylistic neighbors: Gilberto Gil· Caetano Veloso· Os Mutantes