Top tracks — play these first
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Los Angeles Mood (Chromium Descensions) — This track perfectly captures the gritty essence of urban life, blending rich textures with a sense of longing that permeates throughout the album.
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Dragging a Dead Priest — With its haunting melody and evocative lyrics, this track exemplifies Waits' ability to weave dark narratives into his music, creating a compelling atmosphere.
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On the Other Side of the World — This piece stands out for its cinematic quality and emotional depth, reflecting the themes of distance and introspection that resonate throughout the soundtrack.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's blend of narrative and atmosphere showcases Waits' unique style, though its episodic nature may limit repeat engagement.
What we noticed
- The album features a series of short tracks that blend instrumental pieces with vocal performances, creating a cinematic feel.
- Tracks like 'Dragging a Dead Priest' and 'Carnival Bob’s Confession' incorporate narrative storytelling typical of Waits' style.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic journey through moods
- short tracks for quick engagement
- atmospheric soundscapes for reflection
- evocative storytelling in snippets
Maybe skip if you
- prefer extended, cohesive pieces
- seek upbeat, high-energy tracks
Where this album fits
- In the catalog
- Experimental — The album features a blend of styles that departs from Waits' earlier sound.
- Career context
- By the time 'Night on Earth' was released in January 1992, Tom Waits had already established himself as a distinctive voice in music with a unique narrative style. This album served as a soundtrack for Jim Jarmusch's film of the same name, marking Waits' first foray into film scoring after his acclaimed albums throughout the 1980s, such as 'Rain Dogs' and 'Franks Wild Years'.
- Stylistic neighbors
- Leonard Cohen· Nick Cave· Captain Beefheart
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Back in the Good Old World (Gypsy) 2:29
- 2 Los Angeles Mood (Chromium Descensions) 2:35
- 3 Los Angeles Theme (Another Private Dick) 4:28
- 4 New York Theme (Hey, You Can Have That Heartattack Outside Buddy) 4:03
- 5 New York Mood (A New Haircut and a Busted Lip) 2:38
- 6 Baby I’m Not a Baby Anymore (Beatrice Theme) 1:58
- 7 Good Old World (Waltz) 2:46
- 8 Carnival (Brunello del Montalcino) 3:07
- 9 On the Other Side of the World 5:19
- 10 Good Old World (Gypsy instrumental) 2:19
- 11 Paris Mood (Un de Fromage) 2:38
- 12 Dragging a Dead Priest 3:59
- 13 Helsinki Mood 4:10
- 14 Carnival Bob’s Confession 2:16
- 15 Good Old World (Waltz) 3:55
- 16 On the Other Side of the World (instrumental) 3:58
If this landed
Records by other artists that run on the same instinct.
Murder Ballads
Nick Cave and the Bad Seeds
Shares a dark, narrative-driven approach with bluesy undertones and atmospheric instrumentation.
The Future
Leonard Cohen
Combines moody, urban themes with deep vocals and a blend of jazz and folk influences.
Crazy Clown Time
David Lynch
Explores eerie soundscapes and eclectic styles that evoke late-night urban landscapes.
Reference: Wikipedia · MusicBrainz · Wikidata
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