What makes No. 10, Upping St. by Big Audio Dynamite notable?

The album received critical acclaim for its innovative approach to genre-blending, with tracks reaching notable positions on music charts in the UK. It helped establish Big Audio Dynamite as key players in the post-punk scene and influenced later genres like trip-hop and electronic music. Additionally, the album is notable for its commentary on contemporary social issues, resonating with audiences during a politically charged era. Released in 1986, No. 10, Upping St. was Big Audio Dynamite's second studio album, following their successful debut, This Is Big Audio Dynamite. The band was solidifying its unique sound that blended various genres while distancing itself from the pure punk roots of The Clash, where founding member Mick Jones had previously played. This album marked a significant step in their artistic evolution as they embraced new production techniques and influences.

Who is No. 10, Upping St. for?

No. 10, Upping St. works well if you're into steady groove for urban journeys, vibrant energy for social gatherings and mid-tempo flow for relaxed listening.

How many songs are on No. 10, Upping St.?

No. 10, Upping St. has 12 tracks, running approximately 59 minutes.

Released 40 years ago

No. 10, Upping St.

Big Audio Dynamite · 1986

59 min · 12 tracks · post-punk

A vibrant fusion of punk, reggae, and hip-hop rhythms underpinned by sharp social commentary and playful sampling.

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Top tracks — play these first

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C’mon Every Beatbox — This opening track sets the tone for the album with its energetic mix of hip-hop beats and punk sensibilities, showcasing the band's eclectic style.
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Dial a Hitman — The track features a compelling narrative structure that critiques violence in society while utilizing playful sound effects and samples to enhance its message.
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Hollywood Boulevard — This song cleverly juxtaposes the glitz of Hollywood with darker themes, showcasing the band's ability to combine catchy melodies with incisive social commentary.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

64 /100

Treeline

Higher than 79% of albums we've rated

The album showcases innovative genre-blending and strong production, making it a notable entry in post-punk.

What we noticed

The album opens with a track that features a prominent beatbox rhythm, setting a playful tone that persists throughout.
Several tracks incorporate samples from various genres, creating a collage effect that reflects the band's eclectic influences.
The sequencing alternates between upbeat tracks and more reflective pieces, maintaining listener engagement while exploring different themes.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 7/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady groove for urban journeys
vibrant energy for social gatherings
mid-tempo flow for relaxed listening
engaging background for creative work

Maybe skip if you

prefer fast-paced, high-energy tracks
seek deeply introspective soundscapes

Where this album fits

Career context: Released in 1986, No. 10, Upping St. was Big Audio Dynamite's second studio album, following their successful debut, This Is Big Audio Dynamite. The band was solidifying its unique sound that blended various genres while distancing itself from the pure punk roots of The Clash, where founding member Mick Jones had previously played. This album marked a significant step in their artistic evolution as they embraced new production techniques and influences.
Stylistic neighbors: The Clash· Public Image Ltd.· Talking Heads