None of the Above
Peter Hammill · 2000
44 min · 8 tracks · rock music
A blend of introspective lyrics and complex melodies, weaving rock with nuanced storytelling and emotional depth.
Top tracks — play these first
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Naming the Rose — This track exemplifies Hammill's intricate songwriting and emotional resonance, drawing listeners into a reflective narrative about identity and memory.
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Tango for One — Demonstrating Hammill's flair for dramatic storytelling, this song features a haunting melody that captures themes of solitude and longing.
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In a Bottle — With its expansive arrangement and contemplative lyrics, this track serves as a centerpiece of the album, showcasing Hammill's lyrical prowess and musical ambition.
Is this for you?
Good fit if you like
- reflective moments for deep thought
- theatrical vocal delivery captivates attention
- introspective lyrics invite personal reflection
- varied pacing keeps engagement high
Maybe skip if you
- seeking instant gratification
- prefer upbeat, fast-paced tracks
Where this album fits
- In the catalog
- Deep Cut — A later catalog entry that extends Hammill’s solo rock and lyrical approach without serving as a major entry point or...
- Career context
- Released in 2000, None of the Above came at a time when Peter Hammill was already an established figure in rock music, following his previous album, The Noise, released in 1999. This album showcases Hammill's continued evolution as a solo artist after years of pioneering work with Van der Graaf Generator, reaffirming his commitment to personal and often existential themes in his songwriting.
- Stylistic neighbors
- Van der Graaf Generator· Robert Wyatt· King Crimson
Moments worth listening for
Where the writing does something specific.
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Somebody Bad Enough
The moment shifts from a sense of yearning to a direct confrontation with self-doubt.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Touch and Go 4:09
- 2 Naming the Rose 5:20
- 3 How Far I Fell 5:57
- 4 Somebody Bad Enough 4:05
- 5 Tango for One 6:45
- 6 Like Veronica 5:56
- 7 In a Bottle 8:02
- 8 Astart 4:16
What to play next
What, Now?
2001
It continues the late-period blend of intimate reflection, dramatic vocals, and intricate rock arrangements.
This
1998
Its reflective songwriting and layered arrangements lead naturally into the emotional, detailed sound here.
Reference: Wikipedia · MusicBrainz · Wikidata
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