What makes Not in My Name by Saul Williams notable?

'Not in My Name' is notable for its timely critique of U.S. foreign policy and civil liberties, resonating with audiences during a period of heightened political tension. The album's title track, featuring remixes by influential artists like DJ Spooky, garnered attention for its bold stance against war and injustice, positioning Williams as an important cultural commentator. By the time 'Not in My Name' was released in 2003, Saul Williams had established himself as a prominent voice in spoken word and hip-hop, following his acclaimed self-titled debut album in 1998. This album marked a significant evolution in his sound, incorporating more electronic and experimental elements as he sought to address urgent political themes surrounding the post-9/11 landscape.

Who is Not in My Name for?

Not in My Name works well if you're into socio-political urgency and intensity, raw spoken word empowerment and gradual build to impactful climax.

How many songs are on Not in My Name?

Not in My Name has 8 tracks, running approximately 33 minutes.

Not in My Name

Saul Williams · 2003

33 min · 8 tracks · hip-hop

A politically charged fusion of industrial beats and alternative hip-hop that confronts social injustices head-on.

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Top tracks — play these first

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Not in Our Name (DJ Spooky mix) — This remix encapsulates the album's core message of resistance against war, blending Williams' incisive lyrics with a haunting electronic backdrop that amplifies its urgency.
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Pledge of Resistance — Opening with a stark declaration, this track sets the tone for the album’s exploration of political discontent, showcasing Williams' powerful vocal delivery and poetic prowess.
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Give Blood (Phantom Dancehall mix) — The fusion of dancehall rhythms with incisive commentary on violence and sacrifice makes this track a standout, reflecting Williams' ability to merge genre with message.

Is this for you?

Good fit if you like

socio-political urgency and intensity
raw spoken word empowerment
gradual build to impactful climax
short bursts of reflection
engagement with pressing themes

Maybe skip if you

prefers smooth, consistent flow
seeks lighthearted, carefree listening

Where this album fits

Career context: By the time 'Not in My Name' was released in 2003, Saul Williams had established himself as a prominent voice in spoken word and hip-hop, following his acclaimed self-titled debut album in 1998. This album marked a significant evolution in his sound, incorporating more electronic and experimental elements as he sought to address urgent political themes surrounding the post-9/11 landscape.
Stylistic neighbors: Shabazz Palaces· Death Grips· Flying Lotus