What makes On Broadway Volume 3 by Paul Motian notable?

This album exemplifies Motian's ability to reinterpret jazz standards through a free jazz lens, contributing to a broader acceptance of avant-garde approaches in jazz. It received critical acclaim for its innovative arrangements and was a significant release during a period when many artists were exploring the boundaries of jazz traditions. On Broadway Volume 3 marks Paul Motian's return to recording as a bandleader following his significant work with Bill Evans in the 1960s. By 1992, Motian had established himself as a prominent figure in the jazz scene, known for his unique drumming style and commitment to exploring new soundscapes within traditional frameworks.

Who is On Broadway Volume 3 for?

On Broadway Volume 3 works well if you're into steady melodic exploration, delicate interplay of harmonies and reflective evening listening.

How many songs are on On Broadway Volume 3?

On Broadway Volume 3 has 10 tracks, running approximately 56 minutes.

On Broadway Volume 3

Paul Motian · 1992

56 min · 10 tracks · jazz

A contemplative blend of free jazz improvisation layered with classic standards, showcasing rhythmic fluidity and harmonic exploration.

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Top tracks — play these first

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How Deep Is the Ocean — This track features an intricate interplay between melody and rhythm, highlighting Motian's subtle yet impactful drumming alongside lyrical piano lines.
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I Wish I Knew — The emotive depth of this piece showcases Motian's talent for creating atmospheric textures that envelop the listener while allowing space for improvisation.
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Skylark — Motian's interpretation of this classic standard introduces a fresh perspective through elongated phrasing and inventive rhythmic patterns, exemplifying his unique artistry.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

70 /100

Alpine

Higher than 94% of albums we've rated

The album showcases innovative interpretations of jazz standards through free improvisation, highlighting Motian's unique approach.

What we noticed

Each track features extended improvisation, often diverging significantly from the original melodies of the standards.
Several tracks incorporate silence and space as key elements, allowing for moments of reflection between phrases.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 8/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 6/10

Influence 3/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady melodic exploration
delicate interplay of harmonies
reflective evening listening
gentle improvisational nuances

Maybe skip if you

seeking upbeat dance tracks
prefer straightforward structures

Where this album fits

Career context: On Broadway Volume 3 marks Paul Motian's return to recording as a bandleader following his significant work with Bill Evans in the 1960s. By 1992, Motian had established himself as a prominent figure in the jazz scene, known for his unique drumming style and commitment to exploring new soundscapes within traditional frameworks.
Stylistic neighbors: Bill Evans· Charles Lloyd· Keith Jarrett