What makes On the Corner by Miles Davis notable?

'On the Corner' became a controversial work that polarized critics, yet it has since been recognized for its innovative approach to rhythm and sound. The album reached No. 19 on the Billboard chart, highlighting Davis's commercial viability during an era when jazz was evolving. Its influence can be seen in countless genres, from hip-hop to electronic music, making it a cornerstone of fusion that shaped future musical landscapes. Released on October 11, 1972, 'On the Corner' marked a significant shift in Miles Davis's career as he transitioned into electric jazz. This album followed his acclaimed 'Bitches Brew,' showcasing his embrace of funk and rock influences while collaborating with a new generation of musicians. At this point, Davis was at the forefront of jazz fusion, pushing boundaries and redefining genre norms.

Who is On the Corner for?

On the Corner works well if you're into hypnotic rhythms for deep focus, dynamic exploration of soundscapes and wave-like pacing with improvisation.

How many songs are on On the Corner?

On the Corner has 8 tracks, running approximately 54 minutes.

On the Corner

Miles Davis · 1972

54 min · 8 tracks · jazz fusion · bebop · hard bop

A hypnotic blend of electric jazz and avant-garde rhythms, pulsating with urban energy and improvisational freedom.

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Is this for you?

Good fit if you like

hypnotic rhythms for deep focus
dynamic exploration of soundscapes
wave-like pacing with improvisation
urban energy for late-night drives

Maybe skip if you want

seek immediate gratification
prefer concise, standalone tracks

Where this album fits

Themes: electric jazz fusion· pulsating rhythms
Career context: Released on October 11, 1972, 'On the Corner' marked a significant shift in Miles Davis's career as he transitioned into electric jazz. This album followed his acclaimed 'Bitches Brew,' showcasing his embrace of funk and rock influences while collaborating with a new generation of musicians. At this point, Davis was at the forefront of jazz fusion, pushing boundaries and redefining genre norms.
Stylistic neighbors: John Coltrane· Herbie Hancock· Wayne Shorter
Sounds like this from elsewhere: Head Hunters by Herbie Hancock — Shares a similar fusion of jazz, funk, and electric experimentation with infectious grooves.

Heavy Weather by Weather Report — Explores complex rhythms and improvisation within a vibrant electric jazz context.

Return to Forever by Chick Corea — Combines progressive jazz fusion with rich textures and rhythmic exploration akin to Davis's work.