Our Lady of Late cover

Our Lady of Late

Meredith Monk · 1973

43 min · 18 tracks · opera

Innovative vocal techniques and minimalist instrumentation create a meditative soundscape that blurs the lines between music, theater, and performance art.

Top tracks — play these first

  • →
    Hey Rhythm — This track features rhythmic vocalizations that showcase Monk's signature style of blending spoken word with melody, encapsulating the album's experimental essence.
  • →
    Cow Song — In this piece, Monk employs playful sounds and unconventional lyrics to explore themes of nature and identity, highlighting her unique approach to storytelling through sound.
  • →
    Prophecy — The haunting vocals and layered harmonies in this track create an immersive experience that reflects Monk's ability to evoke deep emotional resonance without traditional instrumentation.

Is this for you?

Good fit if you like

  • wave-like pacing with resolution
  • dynamic exploration of sound
  • evocative vocal textures throughout
  • immersive listening for contemplation
  • short tracks encourage reflection

Maybe skip if you

  • prefer straightforward song structures
  • seek instant gratification in music

Where this album fits

Career context
Our Lady of Late is Meredith Monk's second album, released in 1973, following her debut, Keynote. At this point in her career, Monk was establishing herself as a pioneering figure in avant-garde music and performance, blending elements of classical music with experimental techniques. This album marked a significant step in her exploration of vocal improvisation and theatricality.
Stylistic neighbors
Joan La Barbara· Tania León· Philip Glass

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Prologue 2:28
  • 2 Unison 4:36
  • 3 Knee 1:26
  • 4 Hey Rhythm 2:43
  • 5 Cow Song 2:19
  • 6 Sigh 2:34
  • 7 Morning 1:34
  • 8 Slide 3:01
  • 9 Waltz 1:32
  • 10 Prophecy 3:11
  • 11 Dumb 2:22
  • 12 Conversation 2:57
  • 13 Low Ring 3:06
  • 14 High Ring 1:48
  • 15 Free 2:30
  • 16 Edge 1:33
  • 17 Scale Down 2:53
  • 18 Epilogue 0:54

Reference: Wikipedia · MusicBrainz · Wikidata