Outlaws 'til the End: Vol. 1 cover

Outlaws 'til the End: Vol. 1

DevilDriver · 2018

97 min · 18 tracks · melodic death metal

A heavy, gritty homage to outlaw country infusing metal's intensity with classic Americana storytelling.

Top tracks — play these first

  • →
    Ghost Riders in the Sky — This track exemplifies the album’s spirit, transforming a classic country narrative into a powerful metal anthem while preserving the original song's haunting atmosphere.
  • →
    Copperhead Road — DevilDriver reinvents this iconic song with aggressive instrumentation and passionate vocals, bridging country motifs with a heavy metal edge that energizes its narrative.
  • →
    A Country Boy Can Survive — The band’s rendition captures the essence of resilience in rural life, merging intense riffs with an unmistakable Americana vibe that resonates deeply with both genres’ fans.
  • →
    The Man Comes Around — This cover pays tribute to Johnny Cash's legacy while introducing a heavier sound, allowing listeners to experience the song's themes through a fresh and intense lens.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

53 /100
Foothills
Higher than 40% of albums we've rated

This album creatively blends metal and country but may not have lasting depth beyond its novelty.

What we noticed

  • The album features heavy guitar riffs and aggressive drumming layered over traditional country melodies, creating a unique sound.
  • Each track is a cover of a classic country song, reinterpreted with metal instrumentation and vocal delivery.
  • The first half of the album maintains a high energy level, while the second half introduces slower tempos and more melodic elements.
Composition 25% of the score
6/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
5/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • gritty storytelling with raw emotion
  • late-night drives with friends
  • nostalgic tales of rebellion
  • sing-along choruses around campfires
  • dynamic shifts from calm to

Maybe skip if you

  • prefer polished, radio-friendly sounds
  • seek purely instrumental experiences

Where this album fits

Career context
Outlaws 'til the End: Vol. 1 marks DevilDriver's first foray into cover songs, showcasing a bold departure from their groove and melodic death metal roots. Released in July 2018, this album arrives after the band's previous studio release, Trust No One (2016), indicating a willingness to explore new sonic territories as they redefine their identity.
Stylistic neighbors
Lamb of God· Machine Head· All That Remains

Moments worth listening for

Where the writing does something specific.

  • Ghost Riders in the Sky

    Imagery shifts from serene landscapes to ominous cowboys chasing their fate evokes vivid tension throughout the verses.

    This juxtaposition creates a stark contrast that magnifies the song's narrative of pursuit and consequence, enhancing its emotional weight.

Tracklist

Best experienced from track one — press play and let it unfold.

Disc 1

  • 1 Country Heroes 3:41
  • 2 Whiskey River 3:40
  • 3 Outlaw Man 3:31
  • 4 Ghost Riders in the Sky 3:44
  • 5 I’m the Only Hell Mama Ever Raised 3:10
  • 6 If Drinkin’ Don’t Kill Me 3:52
  • 7 The Man Comes Around 3:49
  • 8 A Thousand Miles From Nowhere 4:26
  • 9 Copperhead Road 3:35
  • 10 Dad’s Gonna Kill Me 4:36
  • 11 A Country Boy Can Survive 3:41
  • 12 The Ride 3:50

Disc 2

  • 1 A Country Record 12:09
  • 2 Cash Cabin 6:43
  • 3 Intro to Outlaw Country 11:41
  • 4 Live 6:34
  • 5 Lyrics 5:22
  • 6 The Guests 9:04

Reference: Wikipedia · MusicBrainz · Wikidata