Overlapping Hands: Eight Segments
Marilyn Crispell · 1991
66 min · 8 tracks · jazz
A contemplative exploration of improvisational jazz, blending intricate piano melodies with atmospheric soundscapes.
Why this album works
This album is significant for its experimental nature, reflecting the increasing acceptance of avant-garde jazz in the early 1990s. Crispell's work received praise from critics for its complex structures and emotional depth, contributing to her recognition as a leading voice in modern jazz.
- Best for
- gradual build to reflective conclusion atmospheric soundscapes for contemplation immersive focus on intricate melodies
- Context
- By 1991, Marilyn Crispell was establishing herself as a prominent figure in the avant-garde jazz scene. 'Overlapping Hands: Eight Segments' followed her acclaimed album 'Nothing Ever Was, Any Way' (1989), showcasing her evolution as a composer and performer. This release further solidified her innovative approach to jazz through extensive improvisation and collaboration.
- Stylistic neighbors
- Diana Ross· Madonna· Prince· Christina Aguilera· Chicago· Frank Zappa· Bob Dylan· Barbra Streisand
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Segment 1 Standout 6:37
- 2 Segment 2 3:48
- 3 Segment 3 9:12
- 4 Segment 4 Standout 9:31
- 5 Segment 5 9:02
- 6 Segment 6 9:35
- 7 Segment 7 6:10
- 8 Segment 8 Standout 12:33
Reference: Wikipedia · MusicBrainz · Wikidata
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