Overlapping Hands: Eight Segments
Marilyn Crispell · 1991
66 min · 8 tracks · jazz
A contemplative exploration of improvisational jazz, blending intricate piano melodies with atmospheric soundscapes.
Is this for you?
Good fit if you like
- gradual build to reflective conclusion
- atmospheric soundscapes for contemplation
- immersive focus on intricate melodies
- ideal for late-night introspection
- patient exploration of improvisation
Maybe skip if you want
- prefer upbeat, quick listens
- seek immediate catchy satisfaction
Where this album fits
- Career context
- By 1991, Marilyn Crispell was establishing herself as a prominent figure in the avant-garde jazz scene. 'Overlapping Hands: Eight Segments' followed her acclaimed album 'Nothing Ever Was, Any Way' (1989), showcasing her evolution as a composer and performer. This release further solidified her innovative approach to jazz through extensive improvisation and collaboration.
- Stylistic neighbors
- Cecil Taylor· Paul Bley· Annette Peacock
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Segment 1 6:37
- 2 Segment 2 3:48
- 3 Segment 3 9:12
- 4 Segment 4 9:31
- 5 Segment 5 9:02
- 6 Segment 6 9:35
- 7 Segment 7 6:10
- 8 Segment 8 12:33
Reference: Wikipedia · MusicBrainz · Wikidata
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