Pateando piedras cover

Pateando piedras

Los Prisioneros · 1986

44 min · 10 tracks · new wave · pop rock · punk

A vibrant fusion of new wave and punk rock that critiques societal norms with infectious melodies.

Why this album works

The album's critical reception was significant, with tracks like 'El Baile de los que Sobran' becoming anthems of youth discontent. It played a crucial role in advancing the Nueva Canción movement and highlighted the socio-political issues in Chile, resonating widely among listeners and influencing future artists.
Best for
steady mid-tempo engagement infectious melodies for sing-alongs critiques societal norms playfully
Context
Released in January 1986, 'Pateando piedras' marked Los Prisioneros' debut album, establishing them as prominent voices in the Chilean music scene during a politically charged era. The band emerged from the post-Pinochet cultural landscape, using their music to address social injustices and reflect the frustrations of a generation.
Stylistic neighbors
No Doubt· Nena· R. Stevie Moore

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Muevan las Industrias 4:09
  • 2 ¿Por Qué No se Van? Standout 3:01
  • 3 El Baile de los que Sobran Standout 5:44
  • 4 Estar Solo 4:33
  • 5 Exijo se un Héroe Standout 5:43
  • 6 Quieren Dinero 5:10
  • 7 Por Favor 3:32
  • 8 Por Qué los Ricos 4:56
  • 9 Una Mujer que no Llame la Atención 3:23
  • 10 Independencia Cultural 4:34

Reference: Wikipedia · MusicBrainz · Wikidata