What makes Pimp of the Year by Soil & "Pimp" Sessions notable?

Pimp of the Year received critical acclaim and helped the band gain significant international recognition within the jazz scene. The album's innovative fusion of styles influenced a wave of artists exploring similar avant-garde approaches to jazz, contributing to the growth of Japan's contemporary music landscape. Released in 2006, Pimp of the Year was Soil & 'Pimp' Sessions' third album, following their breakthrough effort, Suite for Pimp. At this point in their career, they were solidifying their reputation as pioneers of death jazz, combining elements of traditional jazz with avant-garde influences and an energetic live performance style.

Who is Pimp of the Year for?

Pimp of the Year works well if you're into explosive rhythms for energetic sessions, vibrant chaos for party atmosphere and dynamic tracks with varied pacing.

How many songs are on Pimp of the Year?

Pimp of the Year has 13 tracks, running approximately 56 minutes.

Released 20 years ago

Pimp of the Year

Soil & "Pimp" Sessions · 2006

56 min · 13 tracks · death jazz

A frenetic blend of jazz improvisation and relentless rhythms, pushing the boundaries of genre with a uniquely Japanese flair.

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Top tracks — play these first

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SUMMER GODDESS — This track exemplifies the band's signature sound with its vibrant energy and intricate arrangements, showcasing exceptional musicianship and improvisational skill.
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SABOTAGE — With its intense tempo and bold brass sections, this track encapsulates the band's ability to merge chaotic elements with structured jazz forms.
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THE BLACK WIDOW BLUES — This track features a compelling narrative quality through its dynamic instrumentation, highlighting how Soil & 'Pimp' Sessions convey emotion without lyrics.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

61 /100

Treeline

Higher than 71% of albums we've rated

The album's frenetic energy and improvisational style highlight its unique approach within the death jazz genre.

What we noticed

Each track showcases extensive improvisation, with instruments frequently trading solos in a call-and-response manner.
The use of unconventional instrumentation, including brass and percussive elements, adds layers of texture to the overall sound.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 5/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

explosive rhythms for energetic sessions
vibrant chaos for party atmosphere
dynamic tracks with varied pacing
engaging instrumentals for active listening
immersive soundscapes for adventurous spirits

Maybe skip if you

prefer calm and soothing sounds
avoid lengthy, complex compositions

Where this album fits

Career context: Released in 2006, Pimp of the Year was Soil & 'Pimp' Sessions' third album, following their breakthrough effort, Suite for Pimp. At this point in their career, they were solidifying their reputation as pioneers of death jazz, combining elements of traditional jazz with avant-garde influences and an energetic live performance style.
Stylistic neighbors: The Bad Plus· Nils Frahm· Hiatus Kaiyote