Pit Inn
53 min · 7 tracks · jazz
A vibrant fusion of intricate melodies and rhythmic sophistication that embodies the essence of jazz improvisation.
Top tracks — play these first
-
→
Con Alma — This interpretation showcases Walton's unique ability to blend lyrical beauty with complex harmonic structures, making it a highlight of the album.
-
→
'round Midnight — Walton's rendition brings a fresh perspective to this classic, emphasizing emotional depth through subtle phrasing and dynamic interplay among musicians.
-
→
Suite Sunday — The expansive arrangement allows for extended improvisation, highlighting each musician's virtuosity while establishing a cohesive narrative throughout the piece.
Is this for you?
Good fit if you like
- intricate melodies for attentive listeners
- late-night reflective ambiance
- patient exploration of themes
- vibrant rhythmic sophistication throughout
Maybe skip if you
- prefer instant gratification tracks
- seek quick, standalone pieces
Where this album fits
- Career context
- Released in 1978, Pit Inn marked Cedar Walton's return to the forefront of the jazz scene after a period of relative obscurity. This album came shortly after his work with legendary artists like Art Blakey and represents a significant moment in his career as he sought to establish a distinctive voice as a bandleader.
- Stylistic neighbors
- McCoy Tyner· Chick Corea· Bill Evans
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Suite Sunday 10:01
- 2 Con Alma 7:40
- 3 Without a Song 8:50
- 4 Suntory Blues 9:23
- 5 'round Midnight 7:01
- 6 Fantasy in "D" 7:18
- 7 Bleecker St. Theme 2:52
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.