Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
This album showcases a masterful blend of classical and jazz elements, with strong compositions and high-quality orchestration.
What we noticed
- The album features a full orchestral arrangement that blends classical elements with jazz motifs, creating a rich sonic landscape.
- The instrumentation varies throughout, with sections highlighting strings, brass, and woodwinds to evoke different emotional tones.
- Several tracks include call-and-response patterns typical of African American musical traditions, enhancing the cultural authenticity.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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9/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Defined its genre or moment. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
Disc 1
- 1 Porgy and Bess: Act I, Scene I. Introduction 1:44
- 2 Porgy and Bess: Act I, Scene I. “Summertime” (Clara) 2:09
- 3 Porgy and Bess: Act I, Scene I. “Seems like these bones don’t give me nothin’ but boxcars tonight” (Jake) 3:15
- 4 Porgy and Bess: Act I, Scene I. “Summertime” (Clara) 0:52
- 5 Porgy and Bess: Act I, Scene I. “What, that chile ain’t asleep yet?… A woman is a sometime thing (Lissen to yo’ daddy warn you…)” (Jake) 2:24
- 6 Porgy and Bess: Act I, Scene I. “Honey man! Honey man! Here come de honey man” (Peter) 3:11
- 7 Porgy and Bess: Act I, Scene I. “They pass by singin’ (No, no, brudder, Porgy ain’ sof’ on no woman” (Porgy) 1:46
- 8 Porgy and Bess: Act I, Scene I. “Here comes Big Boy!” (Mingo) 3:47
- 9 Porgy and Bess: Act I, Scene I. “Crown cock-eyed drunk… Oh, little stars” (Men, Porgy) 2:42
- 10 Porgy and Bess: Act I, Scene I. “Oh, stop them! Don’t let them fight!” (Serena) 1:08
- 11 Porgy and Bess: Act I, Scene I. “Wake up an’ hit it out. You ain’t got no time to lose” (Bess) 4:18
- 12 Porgy and Bess: Act I, Scene II. “Gone, Gone, Gone (Where is brudder Robinns?)… Overflow” (All) 6:36
- 13 Porgy and Bess: Act I, Scene II. “Um! A saucer-buryin’ setup, I see” (Detective, Serena, Lily, Peter, Porgy, Jake) 3:01
- 14 Porgy and Bess: Act I, Scene II. “My man’s gone now” (Serena, All) 4:13
- 15 Porgy and Bess: Act I, Scene II. “How de saucer stan’ now, my sister?” (Undertaker) 1:58
- 16 Porgy and Bess: Act I, Scene II. “Leavin’ for the Promise’ Lan’ (Oh, the train is at the station)” (Bess) 2:54
- 17 Porgy and Bess: Act II, Scene I. “It take a long pull to get there (Oh, I’m a-goin’ out to the Blackfish banks)” (Jake) 3:17
- 18 Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’ nuttin’” (Porgy) 2:37
- 19 Porgy and Bess: Act II, Scene I. “Mornin’, lawyer, lookin’ for somebody?” (Maria) 4:49
- 20 Porgy and Bess: Act II, Scene I. “Dey’s a Buckra comin’” (Scipio) 1:57
- 21 Porgy and Bess: Act II, Scene I. “’Lo Bess, goin’ to de picnic?” (Sporting Life) 3:33
- 22 Porgy and Bess: Act II, Scene I. “Bess, you is my woman now” (Porgy) 5:22
- 23 Porgy and Bess: Act II, Scene I. “Oh, I can’t sit down” (All) 4:36
Disc 2
- 1 Porgy and Bess: Act II, Scene II. Allegretto barbaro “Ha da da, ha da da” (All) 1:56
- 2 Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sporting Life) 4:47
- 3 Porgy and Bess: Act II, Scene II. “Crown! — You know very well dis Crown” (Bess, Crown) 2:51
- 4 Porgy and Bess: Act II, Scene II. “Oh… What you want wid Bess?” (Bess) 3:49
- 5 Porgy and Bess: Act II, Scene III. “Honey, dat’s all de breakfast I got time for” (Jake) 2:33
- 6 Porgy and Bess: Act II, Scene III. “Well, if it ain’ ole Peter!” (Marina) 2:00
- 7 Porgy and Bess: Act II, Scene III. “Oh, Doctor Jesus” (Serena) 2:12
- 8 Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine… I’m talkin’ about devil crabs” (Strawberry Woman, Crab Man) 3:02
- 9 Porgy and Bess: Act II, Scene III. “Porgy, Porgy, dat you there, ain’ it?” (Bess, Porgy) 2:51
- 10 Porgy and Bess: Act II, Scene III. “I loves you, Porgy” (Porgy, Bess) 2:05
- 11 Porgy and Bess: Act II, Scene III. “Why you been out on that wharf so long, Clara?” (Maria) 1:28
- 12 Porgy and Bess: Act II, Scene III. Storm 1:57
- 13 Porgy and Bess: Act II, Scene IV. “Oh, de Lawd Shake de Heavens” (All) 2:08
- 14 Porgy and Bess: Act II, Scene IV. “One of dese mornin’s… Oh, dere’s somebody knockin’ at de do’” (Clara, All) 2:20
- 15 Porgy and Bess: Act II, Scene IV. “You is a nice parcel of Christians” (Crown) 3:15
- 16 Porgy and Bess: Act II, Scene IV. “A red-headed woman” (Crown) 1:19
- 17 Porgy and Bess: Act II, Scene IV. “Jake’s boat in de river, upside down!” (Bess) 2:07
- 18 Porgy and Bess: Act III, Scene I. “Clara, Clara, don’t you be downhearted” (Chorus) 2:36
- 19 Porgy and Bess: Act III, Scene I. “Ha ha ha” (Sporting Life) 1:46
- 20 Porgy and Bess: Act III, Scene I. “Summertime” (Bess) 3:20
- 21 Porgy and Bess: Act III, Scene II. Introduction “Wait for us at the corner, Al” (Detective) 6:19
- 22 Porgy and Bess: Act III, Scene II. “Listen: There’s a boat dat’s leavin’ soon for New York” (Sporting Life) 4:10
- 23 Porgy and Bess: Act III, Scene III. Occupational Humoresque “Good mornin’” (All, Children) 3:18
- 24 Porgy and Bess: Act III, Scene III. “It’s Porgy comin’ home” (Maria) 3:52
- 25 Porgy and Bess: Act III, Scene III. “Oh, Bess, oh where’s my Bess” (Porgy) 1:35
- 26 Porgy and Bess: Act III, Scene III. “Where’s Bess gone?… Oh Lawd, I’m on my way” (Porgy) 2:53
Reference: MusicBrainz
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