Post-Mersh Vol. 2
Minutemen · 1987
38 min · 14 tracks · alternative rock
A frenetic blend of punk energy and experimental sounds, each track bursts with raw spontaneity and incisive commentary.
Top tracks — play these first
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Little Man With a Gun in His Hand — This track encapsulates the Minutemen's ability to weave storytelling with social critique, highlighting themes of power dynamics in a compact format.
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Hey Lawdy Mama — The song features an infectious groove and sharp lyrics that blur the lines between humor and seriousness, showcasing the band's eclectic style.
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Dreams Are Free, Motherfucker! — This brief yet impactful track delivers a punchy critique of capitalism wrapped in a catchy hook, emphasizing the band's political edge.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's brevity and experimental approach create a unique sound that stands out in punk and alternative rock.
What we noticed
- The lyrics often present sharp social commentary, delivered in a conversational style that complements the music's urgency.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- short bursts of frenetic energy
- sharp commentary on modern life
- spontaneous and unpredictable transitions
- quick listens with impactful messages
Maybe skip if you
- prefer longer, narrative-driven albums
- seek polished production quality
Where this album fits
- Career context
- Post-Mersh Vol. 2 is the Minutemen's fourth studio album, released in 1987 during a period of artistic experimentation following their breakthrough with Double Nickels on the Dime in 1984. By this point, the band had cemented their reputation for merging punk rock with jazz and funk influences, continuing to push boundaries while remaining politically and socially conscious.
- Stylistic neighbors
- Sonic Youth· Fugazi· Wire
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Self-Referenced 1:24
- 2 Cut 2:04
- 3 Dream Told by Moto 1:46
- 4 Dreams Are Free, Motherfucker! 1:12
- 5 The Toe Jam 0:40
- 6 I Felt Like a Gringo 1:58
- 7 The Product 2:45
- 8 Little Man With a Gun in His Hand 3:53
- 9 The Cheerleaders 3:55
- 10 King of the Hill 3:27
- 11 Hey Lawdy Mama 3:38
- 12 Take Our Test 2:46
- 13 Tour-Spiel 2:52
- 14 More Spiel 5:55
Reference: Wikipedia · MusicBrainz · Wikidata
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