Quartet (London) 1985
Anthony Braxton · 1988
121 min · 2 tracks · jazz
A sprawling exploration of avant-garde jazz, blending intricate compositions with improvisational freedom and textural depth.
Top tracks — play these first
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First Set: Composition 122(+108A)/Composition 40(O)/Collage Form Structure/Composition 52/Composition 86(+32 +96)/Piano Solo from Composition 30 — This lengthy track encapsulates Braxton's unique blend of structured and free improvisation, showcasing his ability to weave complex compositions together seamlessly while allowing space for spontaneous creation.
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Second Set: Composition 115/Composition 105A/Percussion Solo from Composition 96/Composition 40F/Composition 121/Composition 116 — The second set emphasizes rhythmic experimentation and incorporates a percussion solo that highlights the ensemble's dynamic range and Braxton's deep understanding of texture and sound.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases intricate compositions and improvisation, marking a significant moment in avant-garde jazz.
What we noticed
- The album consists of two lengthy sets, each featuring a series of compositions interspersed with improvisational solos.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Experimental — Represents a significant departure in Braxton's avant-garde approach.
- Themes
- London jazz scene· avant-garde experimentation· textural soundscapes
- Career context
- When 'Quartet (London) 1985' was released in 1988, Anthony Braxton was already an established figure in avant-garde jazz, known for his innovative approaches. This album followed his prolific output in the 1980s, including works that expanded the boundaries of jazz through complex structures and collaborative performances.
- Stylistic neighbors
- Ornette Coleman· Sun Ra· Henry Threadgill
Tracklist
Best experienced from track one — press play and let it unfold.
Disc 1
- 1 First Set: Composition 122(+108A)/Composition 40(O)/Collage Form Structure/Composition 52/Composition 86(+32 +96)/Piano Solo from Composition 30 56:17
Disc 2
- 1 Second Set: Composition 115/Composition 105A/Percussion Solo from Composition 96/Composition 40F/Composition 121/Composition 116 1:05:30
If this landed
Records by other artists that run on the same instinct.
Easily Slip into Another World
Henry Threadgill
Explores complex compositions and improvisation with rich textures, similar to Braxton's avant-garde approach.
Dancing in Your Head
Ornette Coleman
Shares a commitment to avant-garde jazz and experimental structures, pushing boundaries of melody and harmony.
Ming
David Murray
Combines free jazz with intricate arrangements, capturing the same spirit of improvisational exploration.
Reference: Wikipedia · MusicBrainz · Wikidata
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