Reasons for Existence
Subhumans · 1982
8 min · 4 tracks · anarcho-punk
Frantic, raw energy collides with sharp political commentary in a quintessential anarcho-punk explosion.
Top tracks — play these first
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Reason for Existence — This title track encapsulates the band's ethos, blending a relentless rhythm with lyrics that challenge societal norms and provoke thought about existence itself.
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Cancer — With its urgent tempo and stark imagery, this track serves as a metaphor for societal ailments, effectively showcasing the band’s ability to fuse personal and political themes.
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Peroxide — This song's frenetic pace and biting lyrics reflect the chaotic spirit of youth rebellion, making it a standout representation of the band's energetic style.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The EP's raw energy and political themes align well with its genre, making it a notable entry in anarcho-punk.
What we noticed
- The EP opens with a fast-paced track that features aggressive guitar riffs and urgent vocals, setting a frantic tone.
- Each song maintains a raw production quality, with minimal studio polish, emphasizing the band's punk ethos.
- Lyrically, the tracks deliver pointed critiques of societal issues, often using direct and confrontational language.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Big City 1:48
- 2 Peroxide 1:50
- 3 Reason for Existence 2:30
- 4 Cancer 2:16
Reference: Wikipedia · MusicBrainz · Wikidata
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