Recorded Live
72 min · 13 tracks · blues rock
Raw, energetic blues rock pours forth from the stage, capturing the spontaneity and grit of a live performance.
Top tracks — play these first
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One of These Days Start here — establishes the sonic palette early
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Good Morning Little Schoolgirl — This track stands out for its dynamic interplay between guitar riffs and vocals, showcasing the band's signature blend of energy and bluesy grooves. The extended jam section highlights their improvisational prowess and ability to engage live audiences.
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Help Me — A powerful rendition featuring intense vocals and searing guitar solos that capture the essence of a live blues performance. The emotional depth in Alvin Lee's delivery elevates this cover into a memorable highlight of the concert.
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I'm Going Home — The climactic closer of the album, this track encapsulates the band's high-energy style with its lengthy guitar solos and passionate vocal delivery. Its anthemic quality leaves listeners with a sense of exhilaration typical of their live shows.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album captures the raw energy of Ten Years After's live performances but lacks some compositional depth.
What we noticed
- The album features extended improvisational sections, particularly in tracks like 'I Can’t Keep From Cryin’ Sometimes', which showcases the band's musicianship.
- The recording captures audience interaction and energy, with live applause and cheers integrated into the performance, enhancing the raw feel.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- long, immersive listening sessions
- dynamic emotional journeys
- raw, energetic live atmosphere
- contemplative late-night vibes
Where this album fits
- In the catalog
- Breakthrough — Captured the band's peak popularity and solidified their blues rock reputation.
- Themes
- Woodstock legacy· live blues intensity· British blues rock scene
- Career context
- Recorded Live, released in 1973, came during Ten Years After's peak popularity following their breakthrough with the album Ssssh! and their iconic performance at Woodstock. At this point, the band had established themselves as leading figures in the British blues rock scene, showcasing their improvisational skills and electrifying stage presence.
- Stylistic neighbors
- Cream· The Allman Brothers Band· Johnny Winter
Tracklist
- 1 One of These Days Start here 6:26
- 2 You Give Me Loving 6:02
- 3 Good Morning Little Schoolgirl 7:35
- 4 Help Me 11:06
- 5 Classical Thing 0:55
- 6 Scat Thing 0:54
- 7 I Can’t Keep From Crying, Sometimes 1 9:04
- 8 I Can’t Keep From Cryin’ Sometimes 2 3:38
- 9 I Can’t Keep From Cryin’ Sometimes 3 3:15
- 10 Silly Thing 0:54
- 11 Slow Blues in ‘C’ 7:52
- 12 I’m Going Home 11:39
- 13 Choo Choo Mama 3:11
If this landed
Records by other artists that run on the same instinct.
At Fillmore East
The Allman Brothers Band
Captures the raw energy of live performance with extended improvisation and blues-rock intensity.
How the West Was Won
Led Zeppelin
Similar live energy and blues rock roots, emphasizing electrifying performances and improvisational flair.
Get Yer Ya‐Ya’s Out
The Rolling Stones
Embodies the live blues rock spirit with gritty performances and a strong connection to the British scene.
Reference: Wikipedia · MusicBrainz · Wikidata
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