Is Rendezvous in New York a good place to start with Chick Corea?

Yes, Rendezvous in New York is recommended as a starting point for new Chick Corea listeners. A vibrant fusion of jazz standards and original compositions, showcasing intricate improvisation and Corea's masterful piano technique. By the time 'Rendezvous in New York' was released in 2003, Chick Corea was an established figure in jazz with a career spanning over four decades. This album followed his extensive work in both acoustic and electronic settings and highlighted his return to a more traditional jazz ensemble format after exploring various styles throughout the 1990s.

Who is Rendezvous in New York for?

Rendezvous in New York works well if you're into extended improvisations that unfold gradually, intricate piano melodies for deep and cathartic peaks in late-night solitude.

How many songs are on Rendezvous in New York?

Rendezvous in New York has 12 tracks, running approximately 125 minutes.

Rendezvous in New York

Chick Corea · 2003

125 min · 12 tracks · jazz

A vibrant fusion of jazz standards and original compositions, showcasing intricate improvisation and Corea's masterful piano technique.

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Top tracks — play these first

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Armando's Rhumba Start here — This track brilliantly encapsulates Corea's signature blend of Latin rhythms with jazz harmonies, demonstrating his prowess as both a composer and performer.
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Concierto De Aranjuez / Spain — A standout medley that highlights Corea’s ability to merge classical music influences with jazz improvisation, creating an expansive emotional landscape.
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Crystal Silence — This piece showcases a delicate interplay between piano and percussion, illustrating Corea's lyrical style and deep musical intuition.
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Matrix — Featuring complex rhythms and rapid-fire melodies, this track exemplifies the avant-garde aspects of Corea’s playing, pushing the boundaries of jazz improvisation.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

58 /100

Treeline

Higher than 49% of albums we've rated

Corea's blend of standards and originals showcases his improvisational skill, though the cohesion suffers from the mix of styles.

What we noticed

Several tracks include extended solos, allowing for dynamic shifts in tempo and mood, particularly evident in 'Concierto De Aranjuez / Spain'.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 5/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

extended improvisations that unfold gradually
intricate piano melodies for deep
cathartic peaks in late-night solitude
dynamic interplay between musicians
rich textures for attentive listening

Maybe skip if you

prefer quick, standalone tracks
seek constant high-energy momentum

Where this album fits

In the catalog: Late Career Highlight — Showcases Corea's continued vitality and creativity in his later career.
Themes: New York jazz scene· Latin rhythms fusion
Career context: By the time 'Rendezvous in New York' was released in 2003, Chick Corea was an established figure in jazz with a career spanning over four decades. This album followed his extensive work in both acoustic and electronic settings and highlighted his return to a more traditional jazz ensemble format after exploring various styles throughout the 1990s.
Stylistic neighbors: Herbie Hancock· Keith Jarrett· McCoy Tyner