Requiem
Karl Jenkins · 2005
71 min · 18 tracks · classical music
A haunting blend of choral harmonies and orchestral textures that evoke deep emotional resonance throughout its movements.
Top tracks — play these first
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Requiem: II. Dies Irae — This track stands out with its dramatic intensity, showcasing powerful choral dynamics and orchestral depth that embody the themes of fear and judgment.
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Requiem: IX. Pie Jesu — The serene beauty of this piece offers a moment of respite amidst the larger work, featuring delicate vocals that evoke a profound sense of peace and hope.
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In These Stones Horizons Sing: V. In These Stones Horizons Sing — As the closing piece, it encapsulates the overarching themes of the album with an uplifting melody that reflects on human connection and transcendence.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases strong compositional techniques and a cohesive structure, blending choral and orchestral elements effectively.
What we noticed
- The first half of the album features a series of movements that build in intensity, culminating in the climactic 'Lacrimosa' before transitioning to more reflective pieces.
- Choral arrangements are layered with orchestral instrumentation, creating a rich texture that evolves throughout the work.
- The final three tracks shift to a lighter tone, incorporating elements from folk traditions and contrasting with the darker themes of the requiem.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- haunting choral harmonies throughout
- deep emotional resonance in movements
- reflective moments for solitude
- ceremonial ambiance for contemplation
Maybe skip if you
- seeking upbeat, fast-paced tracks
- prefer short, standalone songs
Where this album fits
- Career context
- When 'Requiem' was released in January 2005, Karl Jenkins was already an established composer, known for his previous works like 'Adiemus' and 'The Armed Man: A Mass for Peace'. This album marked a continuation of his exploration into choral music, combining classical elements with contemporary influences, further solidifying his place in the modern classical genre.
- Stylistic neighbors
- Mike Oldfield· Yann Tiersen· Ludovico Einaudi
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Requiem: I. Introit 6:48
- 2 Requiem: II. Dies Irae 4:41
- 3 Requiem: III. The Snow of Yesterday 3:14
- 4 Requiem: IV. Rex Tremendae 3:10
- 5 Requiem: V. Confutatis 2:56
- 6 Requiem: VI. From Deep in My Heart 2:38
- 7 Requiem: VII. Lacrimosa 4:51
- 8 Requiem: VIII. Now as a Spirit 4:01
- 9 Requiem: IX. Pie Jesu 4:35
- 10 Requiem: X. Having Seen the Moon 4:19
- 11 Requiem: XI. Lux Aeterna 3:27
- 12 Requiem: XII. Farewell 4:04
- 13 Requiem: XIII. In Paradisum 5:37
- 14 In These Stones Horizons Sing: I. Agorawd [Overture], Part 1: Cân Yr Alltud 2:33
- 15 In These Stones Horizons Sing: II. Agorawd [Overture], Part 2: Nawr! 2:40
- 16 In These Stones Horizons Sing: III. Grey 4:49
- 17 In These Stones Horizons Sing: IV. Eleni Ganed 2:00
- 18 In These Stones Horizons Sing: V. In These Stones Horizons Sing 4:31
Reference: Wikipedia · MusicBrainz · Wikidata
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