Requiem for an Almost Lady
Lee Hazlewood · 1971
25 min · 10 tracks · country music
A whimsical blend of country and pop, layered with Hazlewood's rich baritone and introspective storytelling.
Top tracks — play these first
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If It's Monday Morning — This track encapsulates the album's reflective mood, blending dreamy melodies with lyrics that evoke feelings of longing and nostalgia.
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Come On Home To Me — With its poignant lyrics and gentle instrumentation, this song showcases Hazlewood's ability to convey deep emotion through simplicity.
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I'll Live Yesterdays — This track stands out for its introspective narrative, illustrating Hazlewood's skill in storytelling and emotional depth.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Hazlewood's blend of country and pop with introspective lyrics creates a distinct sound that rewards multiple listens.
What we noticed
- The album features a consistent use of lush string arrangements that complement Hazlewood's baritone voice throughout the tracks.
- Several songs employ a call-and-response vocal style, enhancing the storytelling aspect of the lyrics.
- The tempo varies significantly, with tracks like 'If It's Monday Morning' maintaining a brisk pace while others like 'I'll Live Yesterdays' slow down to create a reflective mood.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- whimsical storytelling with charm
- short bursts of introspection
- early peaks with playful energy
- headphone detail in rich vocals
Maybe skip if you
- prefer lengthy immersive experiences
- want instant gratification tracks
Where this album fits
- Career context
- Released in 1971, Requiem for an Almost Lady marked Lee Hazlewood's evolution as a solo artist following his success with Nancy Sinatra. This album came after his acclaimed collaboration with Sinatra on hits like 'These Boots Are Made for Walkin'', positioning Hazlewood as a distinctive voice in the country-pop genre, exploring more personal themes in his songwriting.
- Stylistic neighbors
- Nancy Sinatra· Glen Campbell· Townes Van Zandt
Moments worth listening for
Where the writing does something specific.
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If It's Monday Morning
The bridge shifts from a hopeful tone to one of resigned acceptance about lost love and missed opportunities.
This tonal shift adds complexity to the song, illustrating the internal conflict between desire and reality.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 I'm Glad I Never 1:03
- 2 If It's Monday Morning 3:53
- 3 L.A. Lady 2:20
- 4 Won't You Tell Your Dreams 3:52
- 5 I'll Live Yesterdays 2:50
- 6 Little Miss Sunshine (Little Miss Rain) 2:33
- 7 Stone Lost Child 2:02
- 8 Come On Home To Me 2:58
- 9 Must Have Been Something I Loved 1:40
- 10 I'd Rather Be Your Enemy 2:12
Reference: Wikipedia · MusicBrainz · Wikidata
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