Top tracks — play these first
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Retrovision (Je suis revenu de l’univers) — This track serves as an expansive showcase of Magma's signature sound, featuring intricate drumming and dynamic vocal layers that create an immersive experience.
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Hhaï (version intégrale) — As a longer piece, it exemplifies the band's ability to weave narrative and emotion through complex time signatures and powerful melodies.
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“La” Dawotsin — This shorter track encapsulates the theatrical essence of zeuhl with its rhythmic intensity and cryptic lyrics that invite deeper interpretation.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Magma's intricate compositions and unique sound solidify their distinct place in progressive rock.
What we noticed
- Vocal arrangements often include choral harmonies that intertwine with instrumental sections, creating a theatrical atmosphere.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Retrovision (Je suis revenu de l’univers) 18:13
- 2 Hhaï (version intégrale) 13:27
- 3 “La” Dawotsin 4:10
Reference: Wikipedia · MusicBrainz · Wikidata
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