Schwarz in Schwarz
Subway to Sally · 2011
129 min · 25 tracks · medieval metal
Dark, atmospheric melodies entwined with medieval instrumentation create a haunting yet powerful listening experience.
Top tracks — play these first
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Das Schwarze Meer Start here — Opening the album, this track sets a dark tone with powerful instrumentals and poignant lyrics about longing and despair.
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Kämpfen wir! — This anthem-like song captures the spirit of defiance and unity, making it a standout representation of the album’s thematic core.
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Nichts ist für immer — The introspective lyrics paired with a haunting melody highlight the transient nature of life, showcasing the band’s lyrical depth.
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Am Ende des Weges — With its emotional delivery and rich instrumentation, this track reflects on personal journeys and serves as a poignant closing piece.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album combines medieval elements with metal effectively, though its length affects overall cohesion.
What we noticed
- The album opens with a strong orchestral introduction that sets a dark tone, followed by heavy guitar riffs and medieval instrumentation throughout.
- Several tracks feature alternating male and female vocals, creating a dynamic interplay that enhances the thematic depth of the lyrics.
- The last three tracks slow down significantly, providing a reflective conclusion to the album's intense journey.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- long, immersive listening sessions
- dynamic emotional journeys
- atmospheric background focus
- wave-like pacing experiences
- haunting melodies and anthems
Where this album fits
- In the catalog
- Late Career Highlight — Shows continued vitality in their established medieval metal sound and received notable chart success.
- Themes
- medieval longing· dark sea imagery· transient life reflections
- Career context
- By the time of 'Schwarz in Schwarz's release in September 2011, Subway to Sally was well-established within the medieval metal scene, having formed in 1992. This album came shortly after their successful 2009 release 'Kreuzfeuer,' solidifying their reputation for fusing traditional folk elements with heavy metal.
- Stylistic neighbors
- In Extremo· Schandmaul· Korpiklaani
Tracklist
Disc 1
- 1 Das Schwarze Meer Start here 5:36
- 2 Schlagt die Glocken 4:42
- 3 Kämpfen wir! 3:58
- 4 Bis in alle Ewigkeit 3:49
- 5 Nichts ist für immer 3:37
- 6 Ins Dunkel 5:56
- 7 Wo Rosen blüh'n 5:50
- 8 Tausend Meilen 5:17
- 9 Mir allein 4:50
- 10 Am Ende des Weges 4:47
- 11 MMXII 5:53
- 12 Alles oder nichts 3:59
Disc 2
- 1 Feuerland 4:36
- 2 Kleine Schwester 4:23
- 3 Die Schlacht 3:39
- 4 Krähenkönig 4:58
- 5 2000 Meilen unterm Meer 4:52
- 6 Meine Seele brennt 4:23
- 7 Kruzifix 4:30
- 8 Unentdecktes Land 3:11
- 9 Besser Du rennst 4:11
- 10 Veitstanz 4:50
- 11 Auf Kiel 4:43
- 12 Sieben 4:28
- 13 Inside Schwarz IN Schwarz 18:48
If this landed
Records by other artists that run on the same instinct.
Slania
Eluveitie
Combines folk melodies with heavy metal, echoing themes of nature and ancient cultures.
Spirit of the Forest
Korpiklaani
Merges traditional folk instrumentation with a dark, energetic atmosphere and reflective lyrics.
Sängerkrieg
In Extremo
Utilizes medieval instruments and dark themes, creating a powerful blend of folk and heavy music.
Reference: Wikipedia · MusicBrainz · Wikidata
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