Serart
Serj Tankian · 2003
43 min · 16 tracks · opera
Experimental soundscapes fuse progressive rock, metal, and ethnic influences, creating a unique auditory journey through diverse genres.
Top tracks — play these first
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Cinema Start here — This track encapsulates the album's eclectic essence, merging rhythmic complexity with haunting melodies that reflect both Tankian's and Tunçboyacıyan's cultural backgrounds.
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Devil's Wedding — Featuring intense vocal delivery and intricate instrumentation, this track stands out for its theatricality and emotional depth, illustrating the duo's creative synergy.
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Love Is The Peace — In contrast to heavier tracks, this piece brings an ethereal quality with its soothing melodies, showcasing the album's range and inviting listeners into a contemplative space.
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Facing The Plastic — This track combines sharp social commentary with an experimental sound palette, exemplifying Tankian's lyrical prowess and willingness to tackle challenging themes through innovative music.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's genre-blending and experimental nature create a unique sound, though its cohesion is somewhat uneven.
What we noticed
- The album opens with a brief intro that sets an atmospheric tone before transitioning into more complex arrangements.
- Several pieces incorporate traditional ethnic instruments alongside modern rock elements, blending genres seamlessly.
- The final track features an extended outro that gradually fades out, leaving a lingering sense of ambiguity.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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5/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- short, immersive listening sessions
- dynamic emotional journeys
- surreal and experimental exploration
- layered, dense sonic textures
Where this album fits
- In the catalog
- Experimental — Deliberate departure from Tankian's established sound with unique genre fusion.
- Themes
- cultural fusion· theatrical intensity· social commentary· ethereal contemplation
- Career context
- Released in 2003, Serart is a collaborative project between System of a Down's Serj Tankian and Turkish musician Arto Tunçboyacıyan. This album followed Tankian's initial success with the band, showcasing his desire to explore more avant-garde and eclectic sounds outside of mainstream metal.
- Stylistic neighbors
- System of a Down· Mike Patton· Rage Against the Machine
Tracklist
- 1 Intro 0:33
- 2 Cinema Start here 4:00
- 3 Devil's Wedding 4:08
- 4 The Walking Xperiment 3:32
- 5 Black Melon 3:36
- 6 Metal Shock 0:31
- 7 Save The Blonde 3:15
- 8 Love Is The Peace 2:29
- 9 Leave Melody Counting Fear 3:45
- 10 Gee-Tar 1:11
- 11 Claustrophobia 1:36
- 12 Narina 5:32
- 13 Zumba 0:51
- 14 Facing The Plastic 3:46
- 15 If You Can Catch Me 1:03
- 16 I Don't Want To Go Back Empty Handed 4:07
If this landed
Records by other artists that run on the same instinct.
Into the Labyrinth
Dead Can Dance
Explores cultural fusion and theatricality with a rich blend of world music influences.
Vespertine
Björk
Shares an ethereal soundscape and experimental approach, blending pop with avant-garde elements.
Toxicity
System of a Down
Similar theatrical intensity and social commentary, infused with diverse musical styles.
Reference: Wikipedia · MusicBrainz · Wikidata
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