Top tracks — play these first
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Girl on the Phone Start here — establishes the sonic palette early
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The Eton Rifles — This track stands out for its incisive commentary on class division and the disillusionment of youth, encapsulating the album's political edge with infectious energy.
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Thick as Thieves — With its reflective lyrics about friendship and betrayal, this song showcases the band's lyrical depth while maintaining their signature catchy melody.
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Little Boy Soldiers — This poignant track critiques the romanticization of war, using vivid imagery to challenge societal norms, making it a standout example of The Jam's thoughtful songwriting.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases strong songwriting and production, with a blend of political themes and varied musical textures.
What we noticed
- The first half of the album features a consistent mid-tempo pace, while the second half introduces more varied tempos and dynamics.
- Tracks like 'The Eton Rifles' and 'Little Boy Soldiers' employ sharp, politically charged lyrics that reflect social disillusionment.
- Several tracks incorporate brass instrumentation, adding a distinct texture that differentiates them from typical punk rock arrangements.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady mid-tempo groove throughout
- sharp social commentary themes
- catchy melodies for sing-alongs
- for group listening sessions
- reflective moments during commutes
Maybe skip if you
- prefer instant gratification tracks
- avoid lyrical depth and nuance
Where this album fits
- In the catalog
- Breakthrough — Cemented The Jam's status as a leading band in British rock after previous success.
- Themes
- class division· youth disillusionment· romanticized warfare
- Career context
- Setting Sons was The Jam's fourth studio album, released in late 1979 as they were solidifying their place within the UK punk and mod revival scenes. Following their breakthrough with All Mod Cons, this album showcased a more mature sound and deeper lyrical content, reflecting the band's evolving artistry.
- Stylistic neighbors
- The Clash· The Specials· Buzzcocks
Tracklist
- 1 Girl on the Phone Start here 2:55
- 2 Thick as Thieves 3:39
- 3 Private Hell 3:50
- 4 Little Boy Soldiers 3:24
- 5 Wasteland 2:51
- 6 Burning Sky 3:30
- 7 Smithers-Jones 3:00
- 8 Saturday’s Kids 2:52
- 9 The Eton Rifles 3:58
- 10 Heat Wave 2:23
- 11 Strange Town 3:48
- 12 When You’re Young 3:12
- 13 Smithers‐Jones (single version) 2:59
- 14 See‐Saw 2:33
- 15 Going Underground 2:54
- 16 The Dreams of Children 3:07
- 17 So Sad About Us 2:37
- 18 Hey Mister 1:51
- 19 Start 2:29
If this landed
Records by other artists that run on the same instinct.
London Calling
The Clash
Shares sharp political commentary and a diverse sonic landscape reflecting late '70s disillusionment.
Argybargy
Squeeze
Captures similar working-class narratives with catchy hooks and a mod-inspired sound.
Chairs Missing
Wire
Explores themes of alienation and social critique with a post-punk edge and experimental approach.
Reference: Wikipedia · MusicBrainz · Wikidata
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