Top tracks — play these first
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Why Shouldn’t We Kill Ourselves? — This track stands out for its haunting exploration of nihilism and self-worth, challenging listeners to confront uncomfortable truths about existence.
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Dear John Piper (Stillbirth in Space) — By addressing theological questions directly to prominent figures, this song exemplifies the band's unique blend of personal struggle and societal critique.
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January 3, 1889: Nietzsche Witnesses the Flogging of a Horse — This track's provocative title and relentless energy serve as a metaphor for the struggle against suffering and an exploration of philosophical despair.
Is this for you?
Good fit if you like
- existential themes and visceral imagery
- chaotic bursts of intensity
- short tracks for quick engagement
- reflective moments amidst chaos
- thought-provoking lyrics to ponder
Maybe skip if you
- seeking polished, radio-friendly sounds
- prefer predictable, steady pacing
Where this album fits
- Career context
- Released in 2016, Showbread Is Showdead is Showbread's fifth studio album and marks their return after a five-year hiatus following the release of Who Can Know It?. This album continues their exploration of existential themes while showcasing a matured sound that diverges from their earlier work in both structure and lyrical complexity.
- Stylistic neighbors
- Haste the Day· Underoath· The Chariot
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 I am Horrible at Processing Rejection 4:03
- 2 January 3, 1889: Nietzsche Witnesses the Flogging of a Horse 5:43
- 3 Why Shouldn’t We Kill Ourselves? 3:05
- 4 Harry Harlow and the Monkeys of Despair 1:55
- 5 Raw Rock Theology 2:47
- 6 My Shadow is a Bat 3:22
- 7 Dear John Piper (Stillbirth in Space) 4:05
- 8 Legacy of Skubalon 3:33
- 9 Nine Weeks, Four Days: The Fetus Develops Teeth 3:18
- 10 Showbread is Showdead 4:42
- 11 Life After Life After Death 6:46
Reference: Wikipedia · MusicBrainz · Wikidata
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