Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
A well-made turn toward compact, California-tinged rock, but its shorter song forms and overt references have less staying power than Le Orme’s more unified work.
What we noticed
- Nine compact songs replace the long, linked suites of Le Orme’s earlier work; the tracks arrive as separate episodes rather than one continuous narrative.
- The California references in the opening “Los Angeles” and closing “Laurel Canyon” frame a record whose sound leans toward song-based rock.
- “Laserium Floyd” makes its Pink Floyd reference explicit, while the surrounding tracks keep the focus on concise vocal songs.
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
5/10
- Distinctiveness 18% of the score
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5/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Los Angeles 7:13
- 2 Amico di ieri 3:18
- 3 Ora o mai più 2:40
- 4 Laserium Floyd 4:18
- 5 Primi passi 3:29
- 6 Immensa distesa 3:51
- 7 Amanti di città 3:30
- 8 L'uomo del pianino 3:21
- 9 Laurel Canyon 4:19
Reference: MusicBrainz · Wikidata
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