Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
A carefully arranged, song-focused turn from Le Orme’s earlier extended symphonic style, with strong craft but fewer compositions that fully distinguish themselves.
What we noticed
- The eight tracks are self-contained songs rather than movements in a long suite; the title track sits among pieces mostly around four to six minutes.
- The arrangements keep Pagliuca’s keyboards central but give the electric guitar a more prominent role than on Le Orme’s earlier symphonic records.
- The sequence moves from the concert-going opener through concise vocal songs, then closes with “I salmoni” and “Il gradino più stretto del cielo.”
- Composition 25% of the score
-
6/10
- Craft 20% of the score
-
7/10
- Durability 25% of the score
-
6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Insieme al concerto 6:05
- 2 In ottobre 6:43
- 3 Verità nascoste 3:51
- 4 Vedi Amsterdam... 4:54
- 5 Regina al Troubadour 6:44
- 6 Radiofelicità 4:55
- 7 I salmoni 2:56
- 8 Il gradino più stretto del cielo 4:59
Reference: MusicBrainz · Wikidata
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