Spring mot Ulla, spring! Cornelis sjunger Bellman
Cornelis Vreeswijk · 1971
42 min · 13 tracks · blues
A whimsical blend of folk and blues, steeped in rich narratives and playful melodies that celebrate love and longing.
Top tracks — play these first
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Epistel No. 67 "Til Mutter på Tuppen" Start here — establishes the sonic palette early
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Epistel No. 43 "Til Ulla Winblad, skrifven vid ett ömt tillfälle" — This track exemplifies Vreeswijk's affectionate tone and lyrical wit, capturing the essence of romantic longing while paying homage to Bellman's original style.
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Epistel No. 68 "Angående sista Balen på Grönlund" — With its lively tempo and vivid storytelling, this song highlights Vreeswijk's ability to bring historical events to life through music and humor.
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Epistel No. 81 "Til Grälmakar Löfberg i Sterbhuset vid Danto bommen, diktad vid grafven" — This track stands out for its poignant exploration of mortality and memory, showcasing Vreeswijk's profound lyrical depth and connection to Bellman's themes.
Is this for you?
Good fit if you like
- whimsical storytelling with charm
- steady pacing for reflective moments
- poetic narratives that flow seamlessly
- for sunny afternoon listening
Maybe skip if you
- prefer fast-paced, energetic tracks
- seek standalone hits or singles
Where this album fits
- In the catalog
- Breakthrough — Reinterprets Bellman's poetry, reinforcing Vreeswijk's reputation and reaching new audiences.
- Themes
- romantic longing· Swedish cultural identity· historical storytelling
- Career context
- By 1971, Cornelis Vreeswijk was firmly established as a prominent figure in Swedish music, having released several successful albums previously. 'Spring mot Ulla, spring! Cornelis sjunger Bellman' is part of his artistic evolution, showcasing his deepening engagement with the works of Carl Michael Bellman, which significantly influenced Swedish cultural identity.
- Stylistic neighbors
- Bert Jansch· Nick Drake· John Martyn
Tracklist
- 1 Epistel No. 67 "Til Mutter på Tuppen" Start here 2:43
- 2 Epistel No. 43 "Til Ulla Winblad, skrifven vid ett ömt tillfälle" 2:54
- 3 Epistel No. 40 "Angående Bröllopet hos Bensvarfvars" 2:35
- 4 Epistel No. 36 "Rörande Ulla Winblads flykt" 2:47
- 5 Epistel No. 72 "Lemnad vid Cajsa Lisas säng, sent om en afton" 4:13
- 6 Epistel No. 68 "Angående sista Balen på Grönlund" 2:39
- 7 Epistel No. 28 "Om et anstäldt försåt emot Ulla Winblad" 3:25
- 8 Epistel No. 48 "Hvaruti avmålas Ulla Winblads hemresa från Hessingen i Mälaren en sommarmorgon 1769" 3:48
- 9 Epistel No. 7 "Som synes vara Elegie skrifven vid Ulla Winblads säng, sent om Aftonen" 2:34
- 10 Epistel No. 81 "Til Grälmakar Löfberg i Sterbhuset vid Danto bommen, diktad vid grafven" 4:44
- 11 Epistel No. 24 "Til kära Mor på Bruna Dörren" 3:03
- 12 Epistel No. 27 "Som är dess sista tankar" 2:39
- 13 Epistel No. 71 "Til Ulla i fenstret på Fiskartorpet, Middagstiden, en Sommardag" 4:00
What to play next
Cornelis Live
1972
Captures the lively essence and storytelling style of Vreeswijk's performances.
Poem, ballader och lite blues
1970
Sets the stage with a blend of narrative-driven songs and folk influences.
If this landed
Records by other artists that run on the same instinct.
Colors
Laleh
Shares whimsical storytelling and a blend of folk influences with rich emotional narratives.
Väsen
Väsen
Combines traditional Swedish folk sounds with playful melodies and intricate arrangements reminiscent of Vreeswijk.
Känn ingen sorg för mig Göteborg
Håkan Hellström
Explores themes of love and longing through vivid narratives, similar to Vreeswijk's lyrical depth.
Reference: Wikipedia · MusicBrainz · Wikidata
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