What makes Start Talking by Bulletrain notable?

Start Talking received positive reviews from fans and critics alike, garnering attention within the glam and hard rock communities. The album's energetic tracks helped Bulletrain gain traction on streaming platforms, contributing to a resurgence of interest in the sleaze rock genre during the mid-2010s. Released on October 24, 2014, Start Talking was Bulletrain's second studio album, following their debut in 2011. At this time, the band was solidifying their presence in the sleaze rock scene, with a goal to elevate their sound and expand their audience.

Released 12 years ago this October

Start Talking

Bulletrain · 2014

12 tracks · hard rock

A high-octane blend of glam metal and hard rock, infused with catchy hooks and anthemic choruses.

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Top tracks — play these first

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Nothing but Trouble — The opening track sets a dynamic tone with its infectious riff and rebellious lyrics, encapsulating the band's signature style.
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Dark Days (Dark Nights) — This track showcases a darker lyrical theme while maintaining a catchy chorus, illustrating Bulletrain's ability to blend depth with accessibility.
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Start Talking — The title track exemplifies the band's flair for anthemic songwriting and features a memorable hook that invites sing-alongs.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

46 /100

Foothills

Higher than 10% of albums we've rated

The album delivers energetic hard rock with catchy hooks but lacks significant depth or innovation.

What we noticed

The album opens with a high-energy track that sets a fast tempo, which is maintained through the first half before slowing down slightly in the latter tracks.
Choruses are consistently anthemic, often featuring layered backing vocals that enhance their catchiness.
Several tracks incorporate guitar solos that are prominent and melodic, contributing to the glam metal aesthetic.

Composition 25% of the score: 6/10
Craft 20% of the score: 7/10
Durability 25% of the score: 5/10
Distinctiveness 18% of the score: 5/10
Sequencing 12% of the score: 6/10

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.