Top tracks — play these first
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Run Runaway — This track features an infectious chorus and combines elements of rock and pop that highlight Slade's signature sound, becoming one of their most recognizable songs.
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My Oh My — With its catchy melody and engaging lyrics, this song showcases Slade's ability to create memorable anthems, solidifying their status in the glam rock era.
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(And Now the Waltz) C’est la vie — This track stands out for its whimsical charm and theatrical flair, exemplifying Slade's knack for blending humor with music while pushing genre boundaries.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases energetic glam rock with catchy hooks, though it doesn't fully stand out in its genre.
What we noticed
- The first five tracks maintain a high-energy tempo, with 'My Oh My' serving as a standout single that shifts the mood slightly without losing momentum.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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5/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic peaks and valleys
- energetic sing-along moments
- vibrant party atmosphere
- short bursts of excitement
- catchy melodies for engagement
Where this album fits
- In the catalog
- Breakthrough — Reestablished Slade's popularity with a major hit after a hiatus, marking their return.
- Themes
- glam rock revival· theatrical whimsy
- Career context
- The Amazing Kamikaze Syndrome marked Slade's return after a five-year hiatus, following their declining success in the late 1970s. Released in December 1983, it was their first album since 1978's Whatever Happened to Slade, showcasing a reinvigorated sound that aimed to reclaim their place in the UK rock scene.
- Stylistic neighbors
- T. Rex· David Bowie· Alice Cooper
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Slam the Hammer Down 3:25
- 2 In the Doghouse 2:44
- 3 Run Runaway 5:00
- 4 High and Dry 3:10
- 5 My Oh My 4:12
- 6 Cocky Rock Boys (Rule OK) 3:26
- 7 Ready to Explode 8:37
- 8 (And Now the Waltz) C’est la vie 3:43
- 9 Cheap ’n’ Nasty Luv 3:27
- 10 Razzle Dazzle Man 4:38
- 11 Keep Your Hands Off My Power Supply 3:34
- 12 My Oh My (12″ version) 5:34
- 13 Don’t Tame a Hurricane 2:33
- 14 Run Runaway (12″ version) 5:26
- 15 Two Track Stereo, One Track Mind 2:55
- 16 Slam the Hammer Down (Hotter mix) 3:44
If this landed
Records by other artists that run on the same instinct.
Scary Monsters (and Super Creeps)
David Bowie
Shares theatrical whimsy and vibrant production with catchy hooks in a glam rock revival context.
Electric Warrior
T. Rex
Combines glam rock energy and playful lyrics, embodying a similar exuberance and catchy melodies.
The Game
Queen
Features theatricality and anthemic choruses, blending glam rock vibes with polished production.
Reference: Wikipedia · MusicBrainz · Wikidata
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