Top tracks — play these first
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Flashback Caruso (Sosna) — This track encapsulates the band's surrealistic approach to sound, blending operatic vocals with dissonant instrumentation, creating a hauntingly beautiful atmosphere.
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J'ai mal aux dents (Sosna) — With its extended duration, this piece allows for deep exploration of textures and rhythms, showcasing Faust's improvisational skills and willingness to push boundaries.
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Der Baum (Peron) — This track stands out with its juxtaposition of melodic elements against chaotic soundscapes, exemplifying the band's ability to blend order and chaos seamlessly.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe record's fragmented structure and experimental sound create a unique but challenging listening experience.
What we noticed
- Several tracks feature unconventional instrumentation, such as piano, drums, and saxophones, often layered in spontaneous arrangements.
- Many pieces are titled 'Untitled' and lack traditional song structures, emphasizing improvisation over melody.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- playful experimentation with sound
- short bursts of creativity
- wave-like pacing with peaks
- immersive collage of ideas
- headphone detail hunting
Maybe skip if you
- prefer traditional song structures
- seek instant gratification tracks
Where this album fits
- Career context
- The Faust Tapes marked a pivotal moment in Faust's career as their first album released after signing with the label Polydor. It showcased their shift towards improvisational experimentation, following their self-titled debut in 1971, and solidified their place in the Krautrock movement. This album exemplified their unique approach to music-making, characterized by collage-like compositions.
- Stylistic neighbors
- Can· Neu!· Amon Düül II
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Exercise - With Several Hands on a Piano 0:52
- 2 Exercise - With Voices, Drum and Sax 0:21
- 3 Flashback Caruso (Sosna) 4:01
- 4 Exercise - With Voices 1:48
- 5 J'ai mal aux dents (Sosna) 7:14
- 6 Untitled 1:03
- 7 Untitled - Arnulf and Zappi on Drums 1:42
- 8 Dr. Schwitters - Intro 0:25
- 9 Exercise (Continues Track 1) 1:11
- 10 Untitled 1:18
- 11 Untitled 0:50
- 12 Dr. Schwitters (Snippet) 0:49
- 13 Untitled - Arnulf on Drums 1:03
- 14 Untitled - Arnulf on Drums 0:47
- 15 Untitled - All on Saxes 1:33
- 16 Untitled 2:18
- 17 Untitled - Rudolf 0:34
- 18 Untitled - Rudolf 0:51
- 19 Untitled - Rudolf 1:15
- 20 Untitled 2:28
- 21 Untitled 0:20
- 22 Untitled 1:13
- 23 Untitled 0:59
- 24 Stretch Out Time (Sosna) 1:35
- 25 Der Baum (Peron) 3:49
- 26 Chère chambre 3:07
Reference: Wikipedia · MusicBrainz · Wikidata
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