The Ghost in Science
Susumu Hirasawa · 1990
34 min · 9 tracks · post-punk
An experimental fusion of techno beats and post-punk sensibilities creates an immersive auditory landscape.
Top tracks — play these first
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フィッシュ・ソング — This track exemplifies Hirasawa's ability to merge hypnotic rhythms with abstract lyrical themes, making it a standout piece on the album.
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QUIT — The extended length and evolving structure of this track highlight Hirasawa's experimental approach, creating a captivating journey through sound.
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夢みる機械 — This song combines ethereal vocals with mechanical sounds, encapsulating the theme of technology versus humanity that runs throughout the album.
Is this for you?
Good fit if you like
- steady pacing with melodic peaks
- surreal soundscapes for deep focus
- short tracks for quick engagement
- immersive experience with layered details
Maybe skip if you
- prefer straightforward, linear narratives
- seek instant gratification in music
Where this album fits
- Career context
- Released in 1990, The Ghost in Science marked Susumu Hirasawa's transition from his earlier band projects to a solo career. Following the dissolution of P-Model, this album showcased his unique blend of electronic music and avant-garde influences, establishing him as a distinctive voice in the Japanese music scene.
- Stylistic neighbors
- Yoko Kanno· Kraftwerk· Tangerine Dream
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 世界タービン 4:03
- 2 ロケット 3:32
- 3 フィッシュ・ソング 6:06
- 4 カウボーイとインディアン 2:54
- 5 QUIT 6:53
- 6 アモール・バッファー 1:30
- 7 夢みる機械 3:28
- 8 テクノの娘 3:53
- 9 FGG 2:23
Reference: Wikipedia · MusicBrainz · Wikidata
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