The Hours
Philip Glass · 2002
56 min · 14 tracks · opera
A haunting blend of minimalist motifs and emotive piano that encapsulates the fragility of life and existence.
Top tracks — play these first
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The Poet Acts Start here — establishes the sonic palette early
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Morning Passages — This track captures the essence of dawn's tranquility with its flowing melodies, mirroring the film's exploration of life's fragile moments.
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The Kiss — With its poignant harmonies, this piece evokes a deep sense of longing and connection, pivotal themes within both the film and the score.
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Choosing Life — As a climactic piece, it encapsulates the struggle and resolution faced by the characters, reflecting the overarching narrative of resilience and choice.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe score's minimalist structure and emotive depth create a compelling listening experience.
What we noticed
- The album features recurring minimalist motifs that evolve subtly across tracks, creating a sense of continuity.
- Piano serves as the primary instrument, often accompanied by strings, which enhances the emotional weight of each piece.
- Several tracks utilize silence and space effectively, allowing moments of reflection between more intense passages.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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9/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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8/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- steady emotional undercurrents throughout
- haunting melodies for deep reflection
- for quiet contemplation
- immersive listening experience in order
Maybe skip if you
- prefer fast-paced energy
- seek standalone catchy tracks
Where this album fits
- In the catalog
- Breakthrough — This score gained critical acclaim and wider recognition for Glass in film music.
- Themes
- fragile existence· dawn's tranquility· emotional landscapes
- Career context
- By 2002, Philip Glass was an established composer renowned for his contributions to minimalism and film scoring. 'The Hours' marked a significant moment as it was his first major film score after receiving widespread acclaim for works like 'Koyaanisqatsi' and 'The Truman Show'. This album further solidified Glass's reputation in the realm of cinematic music, showcasing his ability to translate complex emotional landscapes into sound.
- Stylistic neighbors
- Steve Reich· Terry Riley· John Adams
Tracklist
- 1 The Poet Acts Start here 3:40
- 2 Morning Passages 5:30
- 3 Something She Has to Do 3:09
- 4 “For Your Own Benefit” 2:00
- 5 Vanessa and the Changelings 1:45
- 6 “I’m Going to Make a Cake” 4:01
- 7 An Unwelcome Friend 4:08
- 8 Dead Things 4:21
- 9 The Kiss 3:54
- 10 “Why Does Someone Have to Die?” 3:53
- 11 Tearing Herself Away 5:00
- 12 Escape! 3:48
- 13 Choosing Life 3:58
- 14 The Hours 7:44
If this landed
Records by other artists that run on the same instinct.
Sleep
Max Richter
Explores similar themes of fragility and emotional depth through minimalist orchestration and ambient soundscapes.
For Now I Am Winter
Ólafur Arnalds
Features a blend of piano and strings that evokes introspective emotions and natural beauty, mirroring Glass's style.
Islands - Essential Einaudi
Ludovico Einaudi
Combines emotive piano with minimalist motifs, creating reflective soundscapes akin to the atmosphere in 'The Hours'.
Reference: Wikipedia · MusicBrainz · Wikidata
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