The Leaving Time
Michael Shrieve · 1988
45 min · 8 tracks
A fusion of ethereal soundscapes and rhythmic explorations that evoke a sense of journey and introspection.
Top tracks — play these first
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The Leaving Time — The title track encapsulates the album's theme of transition with its haunting melodies and complex rhythms, setting the tone for the entire record.
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March of Honor — This track features intricate drumming patterns that highlight Shrieve’s virtuosic skills while merging different musical styles seamlessly.
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Big Sky — With expansive soundscapes and a meditative quality, this track demonstrates Shrieve's ability to create immersive auditory experiences that invite reflection.
Is this for you?
Good fit if you like
- ethereal soundscapes for introspection
- rhythmic explorations with gradual builds
- journey-like flow through tracks
- reflective moments for quiet evenings
Maybe skip if you
- seekers of instant gratification
- prefer standalone, punchy tracks
Where this album fits
- Career context
- Released on May 1, 1988, The Leaving Time marked Michael Shrieve's return to the forefront of music after his groundbreaking work with Santana. This album came nearly two decades after he gained fame as a young drummer, showcasing his evolution as a composer and musician in the realm of new-age and progressive instrumental music.
- Stylistic neighbors
- Santana· Billy Cobham· Weather Report
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Leaving Time 4:56
- 2 March of Honor 4:59
- 3 San Diego 8:44
- 4 Theme for the Far Away 5:09
- 5 Tribes 5:00
- 6 Big Sky 7:49
- 7 Edge Runner 7:32
- 8 The Leaving Time (reprise) 1:15
Reference: Wikipedia · MusicBrainz · Wikidata
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